I'm interested in the idea that we have a more inclusive, clearer set of objectives. I would want us to have a set of objectives which does include public ownership of some necessary things such as rail.

We're not going back anywhere, we're going forward, we're going forward in democracy, we're going forward in participation, we're going forward with ideas.

My view is the questions in Parliament should be the questions that people out there want asked.

I do think the public want to see politicians acting in a different way. What's brought young people into our campaign is that they were written off by political parties but they had never written off politics, and what we have is a huge number of young people, very enthusiastic and brimming with ideas. Those ideas have got to be heard.

The Parliamentary Labour Party is a crucial and very important part of the Labour party, but it is not the entirety of the Labour Party.

You can't sustain a high level of intense activity with thousands of people forever. It has to be for a specific objective.

There are some people who have had no pay rises for a very long time, and, working in highly skilled and highly responsible roles and in the health services and education, they deserve to be properly remunerated.

I have always worked long hours and very hard. It is the way I am. Same as always. Up about seven and get to bed about 12 to 1, something like that.

I think we can spend too much time worrying about polls.

I haven't had vast amounts of ministerial experience - in fact, none at all. But I do have a lot of experience of people.

I'm quite concerned that if I spend time in the office, someone will always find something for you to do. There's always a crisis that needs your urgent attention.

Life is life. Some of the wisest people you meet are sweeping our streets.

Parliament is supposed to be serious. It's not a place for jingoistic cheering.

I am a proud trade unionist.

I believe in public ownership, but I have never favoured the remote nationalised model of the postwar era.

Like a majority of the population and a majority of even Tory voters, I want the railways back in public ownership.

Russia has gone way beyond its legal powers to use bases in the Crimea.

Trade unions are a force for good - a force for a more equal society.

If the leadership can't win a debate, then we should show true leadership and implement the democratic will of our party.

A national investment bank can invest to provide us with the foundations of shared and ecologically sustainable growth: renewing the U.K.'s energy, digital and transport infrastructure which lags woefully behind other major economies.

Local authorities face huge housing issues with demands outstripping supply many times over; the only way those in housing need can be housed is in the private sector.

The Zocalo is a magnificent space, at least four times the size of Trafalagar Square, with the National Palace on one side, the huge cathedral on the other, and in one corner part of the old Aztec City so brutally destroyed by Hernan Cortez and the Conquistadores.

Lopez Obrador invokes the appeal of national unity, the revolution of 1910, and the progressive constitution of 1917.

I think one thing I've learned over the years is just that you're not going to ever please everyone, and the most important person to please is yourself.

I'm very organic in nature with my creativity. It just kind of wraps around me, or it's a moment I have, a click of inspiration. It's never calculated.

There probably wasn't a day that went by in high school that I wasn't bullied either physically or verbally. It made me stronger, and I knew I had to stay steadfast to what I believed in.

I think because of the eccentricity of my work and how I dress, people expect me to be bouncing off the walls. But that's just not how I am.

The McDonald's icon of the colours and the golden arch, for me, resonates as one of the most iconic images ever.

I don't care if the critics don't like me. I want to be the people's designer, like Diana was the people's princess.

Fashion should have a transgressive nature; it can make you feel like someone else, give you heightened emotion. It should bring you joy and uplift you.

When I was born, my family was so poor that there was no money to buy food. So the church bought groceries for us - there wasn't any kind of privilege.

I've taken a look back at my body of work and tried to deduce an essence, capturing aspects that reoccur. Reflecting on your own product can be difficult yet enthralling.

I have a nostalgia for the years I was growing up and experiencing new things for the first time - so the late '80s and early '90s are always fascinating to me. Those were the times that I was being informed about a lot of my tastes, and so the memories are fused with a lot of emotion.

I softened in my old age.

I fell in love with L.A. To me, it is the most quintessentially American city.

I ultimately do still feel like an outsider, and I do feel, actually, I'm more in the world of music because of how much I participate with musicians - in all aspects, not just clothes.

Sometimes when I'm just really relaxed, that's also a creative time for me, because that's when my mind is more open because I'm not worried or thinking or being very analytical.

For me, actresses are constantly chameleons, and so they are taking a backseat to their own personality. I don't feel like we're trying to show off their personality as much as let them be a blank slate. It's precisely the reason why I dress more musicians than I do actresses.

I'm a very normal person with a very even keel.

I was Hillary in '08. I love Obama, but I was Hillary first, so I was happy to be back there with her again.

I'm an introverted extrovert. My job sets me apart, but I'm not hammy and don't need attention.

I was in heaven when I saw Taraji P. Henson wearing Moschino!

When I had no place to live and I had no place to sleep - and I did sleep in the Metro - I held steadfast to the fact that I had a dream, a reason why I'm doing this... that it was bigger than this moment.

I don't really shop unless it's thrift.

I moved to Paris around 1995 or 1996; my first collection on the runway was in 1997.

There are so many serious things in the world; I just choose not to be one of them.

I'm trying to be the messenger for the people that pay attention to me. And those people I want to help inspire because a lot of people maybe think it's - they're too cool for school. That's all I can ever do.

I think fashion takes itself way too seriously. It's just fashion, people. It's just clothes. It should be frivolous and fun. You're not meant to see it as church and pray to a blouse.

A lot of my collections are informed by nostalgia. I think that's because I loved clothes early on. I remember, at maybe age five, being concerned about what I wore, right down to the underwear.

Posterity is something I'm a big fan of because that's how you leave your legacy. Not to sound pompous, but just to be truthful.