For me and my wife, it was love at first sight.

One of the things that I find so exciting about life is that you're constantly surprised. You never know what's going to happen, and it's certainly like that making movies; every once in a while, one will come along that transcends all of your expectations.

So many things have to come together to get a creatively successful and financially successful film. Sometimes you'll have a movie that you're very proud of, and you think it transcended all of your expectations, but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.

I've worked with a lot of first-time directors who kind of look to me for ideas and opinions and stuff, and I'm a team player.

When I'm working, I'm very purposeful and everything else gets out of focus. Something I've had to work on together with my wife is how to acknowledge each other in the midst of this and keep the relationship going.

I'm constantly falling deeper in love with my wife.

My father was so in love with showbiz, all the different aspects - what we're doing here, making the movies, everything about it.

Technology is such a broad kind of term, it really applies to so many things, from the electric light to running cars on oil. All of these different things can be called technology. I have kind of a love-hate relationship with it, as I expect most people do. With the computer, I spend so many hours sitting in front of a computer.

I love marriage.

You prep, you prep, you prep. And on the day that you film, you let all of that go. I try to achieve emptiness as much as possible - the Zen thing - to let the deal come out of that nothing.

The toughest thing about making movies is being apart from your family. One of the things I try my best to do is call my wife every day to keep up to speed with what's going on in her life. And tell her what's going on with mine.

Well, there are all kinds of gutters. Life will supply you with gutters.

As filmmakers, we're constantly always looking for something to bring the audience deeper into the reality of the story we're telling.

I love John Irving's stuff. It's that marriage of comedy and tragedy. It's really terrific.

If you're married you'll have tough times.

My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.

The problem with the designated driver programme, it's not a desirable job. But if you ever get sucked into doing it, have fun with it. At then end of the night drop them off at the wrong house.

As far as Beau is concerned, we're on the same team, we root for each other. If my parts are slightly more attractive, or are perceived that way by others, he's very content.

I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.

Nowadays, in the contract that actors sign, you have to agree that you're going to do a certain amount of publicity-the hard part they don't pay you for.

Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.

For me, growing up, the downside of it was that as a kid you don't want to stand out. You don't want to have a famous father let alone get a job because of your famous father, you know? But I'm a product of nepotism. That's how I got my foot in the door, through my dad.

What I learned most from my father wasn't anything he said; it was just the way he behaved. He loved his work so much that, whenever he came on set, he brought that with him, and other people rose to it.

A large part of acting is just pretending. You get to work with these other great make-believers, all making believe as hard as they can.

Whenever I work on a part, I look at the world through the filter of the character and I pick things they might use through my observations of real life.

I don't know how it is for women or for other guys, but when I was young and in my 20s, I had a fear of marriage.

I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.

I've gone out of my way to not take baggage with me from film to film.

I'm not locked into playing one guy.

I wish I were more disciplined.

I'd maybe done about 12 movies when I decided that this was what I was going to do.

Sometimes, you can not click with somebody, and it can feel awkward.

Movies are very subjective.

If you change partners every time it gets tough or you get a little dissatisfied, then I don't think you get the richness that's available in a long-term relationship.

I'm also working closely with a group called the Amazon Conservation Team, helping with the rainforest in South America.

Like most kids, you don't want to do what your folks want you to do. You've got your own thing.

Life is having its way with me now. And I'm really pleased.

You know, ballet might be too formal of a title for the type of dance I do, but I love to dance.

One of the tough things about being an actor, probably the hardest thing, is getting your foot in the door, and my father handled that for me at a very early age.

I like to think of myself as a character actor, though there's some redundancy in that.

I don't really care about having more fame than I have.

Unlike a lot of actors, my father encouraged all his kids to go into show business.

Fame really works against actors, in a way, because our anonymity is a wonderful thing for us.

I think my love of journalizing my life comes from my mom.

My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me.

My mother and my father were very nurturing and wonderful examples of how to live your life.

I do my best to hold the director's opinion above my own.

I kind of quit surfing when I got out of high school, but then a few years ago I started to take it up again. I'm not an expert by any means, but it's so wonderful to get out in the ocean and get a different perspective on things.

A fella who accepts himself and is relaxed into who he is - that appeals to people.