I'd like to do something involving jazz. But books are how I earn my living, and I'd like to stay with the horse I rode in on.

I cannot recall any moment of clarity about becoming a writer. I always liked to read. That's what did it.

We would not have been a successful family without my father and stepfather, who were working-class men with better dreams for their children. We just wore them out.

You make your own luck by working hard, you know?

John Brown was clearly flawed in real life. He did some terrible things, but he did some things none of us would have had the heart to do. His moral leanings were unquestionably admirable.

As a journalist, the details always tell the story.

When you're interviewing someone, even your mother - you have to sort of deal with you have to get some objective space from yourself and the person but you also have to find what's the best way to get the information from that person.

First person narrative is a very effective tool but you have to know as a writer how to make it work.

If you have the material it will form itself as a kind of connective tissue.

Writing for me is cutting out the fat and getting to the meaning.

My family is my career.

I'm proud of 'Miracle at St. Anna' and I loved it; there's no question in my mind it's as good as any movie that came out in 2007.

I wish all critics, no matter their color, were more sophisticated when it comes to the moral questions a film like 'St. Anna' is trying to raise.

The question of religion in black America is something filmmakers don't want to touch.

The black church will accept anybody.

As a writer, you have to be near people and hear stuff. I'm a hamburger and cheese kind of fellow; I'm not Henry David Thoreau.

Don't get me started on Americans and war. One of the things I learnt over in Italy is how they mythologised the war so that it's all good old gung-ho guys from Omaha and ignored everyone else's role.

I just don't see the point in sitting around hollering the blues over things you have no control over. It's all in God's hands.

If you don't have humor, you're not going to make it. You're going to be one of those people who walks around with your head about to explode.

I don't come from Lake Wobegon, and that world is not mine. It's not that funny to me. It's funny to other people, and I'm not judging it, but the world that I come from is not considered funny by other people as well. There's so much pain in it.

People process pain differently. My family, we were pretty humorous about things that went on.

I read more history books than anything else.

I'm not one of those who can listen to music and write. I need the door closed. Windows shut. Facing the wall. No birds tweeting, views of nature, and so forth.

You can't write just anything. Your story needs structure.

When you tell them you're a writer, they say, 'What have you written?' And then you've got to tell them what you've done. I don't ask a plumber what he does. Then I have to explain what I've done, and I haven't really, you know. I've just told some stories.

I can't be a creative person if I'm a celebrity.

The hard part about writing about a guy like John Brown is that he was so serious, and his cause was so serious, that most of what's been written about him is really serious and, in my opinion, a little bit boring.

James Brown's music still sounds as fresh and as good and as new as it did when he first created it.

Writing teaches writing.

I type most of my books for the first chapter or two - I use a manual typewriter for the first 50 pages or so - and then I move to the computer. It helps me keep the work lean so I don't end up spending 10 pages describing a leaf.

If you can whistle the melody, then the song will stick. But if you need a bunch of machines to make it sound good, you're probably not writing anything that's going to last a long time.

My main problem with fiction is that once my characters get moving, you just have to follow them along and get out of the way of the story, but sometimes they pull me in too many directions, and I need to focus.

I split my time between a small town in New Jersey and New York City.

Most of my work is done when everyone else is asleep.

I go through periods listening to specific types of music. Because I'm a musician, listening to music is... it's a bit like work for me. A little bit.

I grew up in a house with a lot of kids, brothers and sisters. So I don't mind a lot of talking, yelling, playing. I can tune most of that out.

Historical novels are hard to do for the general public for commercial writers like myself.

You can't live for literature. You can't live for the job.

I don't live for my work. My life is my life. That's more important, and I think that helps my work.

All of us want to be Superman when we grow up, fighting for truth and justice. That's part of what drives me as a writer.

I'm trying to get Americans to see that we're all pretty much the same. I believe it; I was taught God doesn't have a color. I want to better the planet a little bit.

Spike Lee listens a lot. He's one of the quietest creative people I've ever met.

Everybody knew James Brown. Every musician dreamed of being in his band.

As far as making a living, if plumbing earned more, I'd probably do it. At least you can leave the job at home once the tools are put away. A writer works in his mind 24/7.

We're learning a tremendous amount of propaganda from television and the Internet.

The starting point of all great jazz has got to be format, a language that you can work within that, in some ways, is much tighter than the blues or even gospel. It's all working towards the same destination - the difference being that Miles Davis flew there, and I'm still taking the subway.

I like stories where normal people are in abnormal situations, and that's what appeals to me about history.

I write stories that are already in the air, and I think it's important to have the correct listening device to tune in to that frequency.

I have cousins in North Carolina who talk in that old Southern style of 'yakking,' if you will. All the black men in my life when I was a boy talked that way, and I love that kind of talk.

John Brown was the abolitionist to end all abolitionists. People thought he was crazy. He was like John Coltrane playing free jazz, exhausting all possibilities in his approach to harmony and improvisation.