You learn as you grow up, if you're intelligent - or even three-quarter witted - that there's no free lunch. You pay for things in various ways. Living, loving, everything else is a matter of the same principles: you learn to work with what you have.

You can't try to be somebody you're not; that's not style. If someone says, 'Buy this - you'll be stylish,' you won't be stylish because you won't be you. You have to learn who you are first, and that's painful.

I was always known in my industry, and I always enjoyed a modicum of popularity.

I am not a fashionista, and I don't dress up. Usually if I'm at home, where I am now, I'm wearing a robe.

I mix everything up. A museum curator once said to me that there is a great jazz component to the way I do things because good jazz is improvisation and draws elements from all different cultures. And that's the way I do everything - the way I dress and decorate.

I think people try so hard to learn everything that they miss all the wonderful essentials. There is so much mystery in life that you should leave a mystery.

We did major work at the White House. But what people often don't understand is that when you do a historic restoration, you can't just do whatever you want. You work alongside the fine-arts commission and are obliged to create a replica of the past, as close as humanly possible. It's a historic institution, not a showhouse.

I get very involved with my things, and they are not standard equipment.

I'm from New York. My grandparents were settlers of Long Island City. When they came here, there was no bridge, and they had to hire a boat across the river. They had a farm, and my grandmother had to go once a week to Manhattan to buy provisions - very primitive.

Colour can raise the dead.

Shock can kill you. Shock is terrible. But what you've got to do is live in the present, which is what I have always done.

I've always loved to help people, young people in particular.

I'm a hopeless romantic. I buy things because I fall in love with them. I never buy anything just because it's valuable.

I was never a fan of Chanel. I liked it on other people. Some other people. All the ladies who were too plump and busty looked like little sausages.

I think people have to sharpen their eyes and look. I always feel like a big sponge: I feel like I learn lots of things by osmosis, and I feel that I'm always absorbing. I mean, when people say, 'What is your inspiration?' I could throw up. I mean, I'm inspired by the fact I get up in the morning. And I'm still here.

There's different shopping in Paris than there is at a bazaar in Istanbul, but they're all wonderful.

I have ideas that I think might be amusing, and I try them, and if they look right, I carry them out, and if they don't, I throw them out and try something else. I don't agonize about it.

I'm happy. I give thanks every morning that I can get up, that I still have my husband with me. I'm extremely grateful. After all, how many 93-year-old cover girls do you know?

Understated jewellery is not for me. It's too itsy-bitsy. My husband is lucky, as I've never had a yen for real jewels.

Self-exploration is very painful, but unless you do that, you will never know who you are and who you want to be.

I had a very brilliant father who was not only intellectual, but was street-smart and very curious to boot. The day I found out that he didn't know everything, I grew up. It was a shock. I just thought that the man was the end-all of everything, and he knew the answer to everything. Then I found out I'd have to find out my own answers.

I live in the Dark Ages, the 17th century. Actually, I would have loved to be in Paris in the early 20th century when the Ballets Russes were there and Chanel was designing.

Fashion has this youth mania. But 70-year-old ladies don't have 18-year-old bodies, and 18-year-olds don't have a 70-year-old's dollars.

Being an individual takes effort. Most people are pretty lazy. And that's OK! I mean, there are more important things than fashion. If it's going to stress you out to have a sense of style, don't do it. The important thing is to be comfortable so you can get on with your life.

Just because you get to a certain number doesn't mean you have to roll up into a ball and wait for the grim reaper. We were put on this earth to do something! If you stop using your brain, at any age, it is going to stop working. It's like if you stop using your hand, it will atrophy. I think doing nothing is a curse.

There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.

I didn't have children, but I never wanted children.

People with a lot of money don't dress as well as people who have to make do, who have to be inventive. Those are the people who are always more interestingly dressed, I think. Everything I do, I do with gut instinct. If I think too much, it won't come out right.

Fashion really is women's liberation in a lot of ways. Look at how many women in this country are depressed about how they look and how they think they have to look! It's really sad. And it's not about money.

Technologically, I live in the 17th century; I don't have a computer, I don't have any of that stuff. I don't look at the Internet, although I know people tell me I'm all over it. Somebody told me they Googled me, and they said I was mentioned two million times, some stupid thing... but who cares?

Nothing I ever did I expected to do. It just kind of happened.

My father told me once not to expect anything from anybody so I wouldn't be disappointed. If somebody was nice and did nice things for me, I should be overjoyed, but I shouldn't go through life expecting it, which is very good advice.

I don't get dressed up every day. I'm very busy. I get really annoyed when people talk about me as a 'fashionista.' I get dressed up when I have to go out. Most of the time, I'm running around in jeans.

I go out in New York, and I think, boy, you can look at someone and pretty much determine their zip code. Everyone seems to want to conform. I wonder, are they all just button-pressers, on the Internet all day long? I don't know.

I used to love to create outfits, and I still do - I just don't have the time. How can you wear one thing and never wear it again? Even my wedding dress - I had a dress made that I could wear again. I'm a child of the depression, so I'm very, very practical.

I don't do very much for beauty. I use very simple things on my skin. I haven't got time. I would always get facials and then come home laden with product, and pay a lot of money and never use it. Anyway, one day a dermatologist told me to use Cetaphil to clean my face and as a moisturizer, and that's what I do.

It's better to be happy than to be well-dressed.

I like to improvise.

I never had to look for confidence because I just wore what I wanted to wear. I would never wear anything to offend my husband or my mother, but outside of that, I always figured, I hope I'm not a rebel, and I hope everybody liked it. And if they didn't like it, it really was not going to disturb me because it was their problem, not mine.

My mother was a big influence; she was exceedingly chic, completely dressed in a completely different manner than I did. I was a child of the Depression, so she taught me all about accessories, and I always tell everybody she worships at the altar of the accessory.

Creativity is down the tube. And people give a lot of lip service to individuality. I know they all appreciate it, but they all say they would like to do it, but they don't want to work at it, and it doesn't come out of the sky.

I just roll with the punches.

I'm a practical person. Most fashion people live in the clouds, and they're full of it. I live like a human being - or, I try to - and I have to be intelligent; I have to be practical. I'm a great believer in common sense, and the older I get, I see that common sense is not that common.

I've never seen anything like the way some young people behave. They go out on a date, and they're sitting opposite each other at a table, and they're not looking at each other, and they text each other as though they're deaf-mutes. It's insane.

My look is either very baroque or very Zen - everything in between makes me itch.

Coco Chanel once said that what makes a woman look old is trying desperately to look young. Why should one be ashamed to be 84? Why do you have to say that you're 52? Nobody's going to believe you anyway, so why be such a fool? It's nice that you got to be so old. It's a blessing.

Clothes are not frippery. Properly done, they can be an art form.

Throughout history, clothes represented who you were; they are a great vehicle for explaining who you are. During the Ching dynasty, for example, what you wore and how it was made reflected your status in society. People could literally read your clothes like a book, just by its color and how it was embroidered.

I always tell people I'm very large in Uzbekistan.

I wasn't interested at all in doing a documentary. I was not a public figure.