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I don't have to go to a doctor and have my face changed. It terrifies me that women do that.
If I see a great performance on television, onstage, in the movies, I go to work the next day with a renewed energy and less fear. These great artists take me out of my life and make me want to go there.
What I want to understand is what I am talking about on the stage. What I don't want to understand is what the government is talking about when the government tells me about taxes.
The closer a part is to you, the harder it is to play. Anything else is just imitation. If I'm playing a Russian countess, I get the hat, the accent, the outrageousness. Easy. Playing a murderess? Perfect.
I have not had any of that surgical stuff. I am too curious to find out exactly how I progress every day of my life naturally. That is what fascinates me.
I can't explain chemistry. I really can't. I haven't got a clue what it's all about. It just happens. It's like falling in love. You can't explain why you fall in love or explain why it's this particular person.
I could have made a lot of money doing 'Golden Girls,' and I would have been good. But the image of it! And for me to work with Betty White every day would be like taking cyanide.
Let me tell you about those convents. All that crap about extending the pinkie finger while sipping tea is a myth. Convent schools are breeding grounds for great broads and occasionally one-of-the-boys. Convent schools teach you to play against everything, which is what I'm still doing.
These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what 'technique' means. But I do know what experience is.