I knew I wanted to make good television, create content that's massy, and provide programming that would invite families to come together and witness these 'reel' lives.

Through these years, I have attempted to create magical moments between my characters because, be it television or films, life is about the moments we create while living through it.

People have always wondered if I'm trying to push the envelope when it comes to my cinema - they keep questioning the visual graphics and the controversial content.

When I made TV shows, people called them regressive. Clearly, everyone wants to generalize everything, but I like to choose a middle path.

What I want to do with cinema is keep it as universal as possible.

There's no certain type of cinema, but there's a certain type of promise every film comes with. The agenda is to keep an eye on quality and live up to that promise.

People are always trying to figure me out, given the varied nature of my films and shows.

I would describe myself as eclectic: Bohemian in thought and conservative in action - or maybe it's the other way around.

Contrary to what everyone thinks, I'm not superstitious - I'm spiritual. And there is a huge difference between the two.

I cater to a viewer because that viewer's taste matters more than anyone else's, and I will keep him first in mind and then, if it also appeals to the critics, so be it.

I am not going to become a critical-acclaim-junkie at all.

I try to lead. I do not follow.

I'm my dad's biggest fan and, yes, sometimes his worst critic.

I've grown up watching 'Mawaali,' 'Himmatwalla,' and my love for masala movies started from there, and ever since, there's no looking back.

My father came from a chawl and became a top star in Bollywood and worked very hard for us. When I look at my dad, I feel very good that my papa did so much.

I believe that change is the essence of life.

Constantly adapting yourself to changing times is a very integral part of a successful person's personality because change is the only constant, and one should have the ability to change and adapt to change with time.

I love telling stories, I love entertaining, and I love my job.

Everyone believes or perceives me to be a ruthless cynic, but far from it.

When I want something, I go out and get it. That's Ekta Kapoor for you!

I've always had this fear in me. What would life be like if I wasn't Number 1 on television? But I've learnt to overcome that fear.

I have full confidence that the Sequel Queen is a tag that's going to stick... And I will be loving it!

I have always wanted to outdo myself, be it films or shows.

Balaji has always had great market presence, be it in film or television - everyone was talking about the titles, about what happened on the sets, even the most bizarre and outrageous things are out there to be judged by audiences who inevitably decide to come to the theatres to watch our film.

Even though you might believe you have the best product on the market or the best film in a really long time, not everyone will agree. The film may be the best thing since sliced bread, but you have to have great publicity to back it up.

Movie promotions - as with all business, it is an important part of any release because of the inherent high financial risk, and sometimes they tend to equal anywhere between half or three times the production budget.

I've always said time and time again that I hate anything conventional.

There will always be some films that the audience would like and some that they don't. But if I start becoming a slave to appreciation, I will be subjecting myself and my talent to one particular type of taste. I don't want to do that.

I don't want to be sitting and pondering over how many stars my film will get. It's rubbish! I make films that I like - some get really appreciated, and some don't. Till now, luckily, they have done well, but I can't become a slave to that. And I won't - never!

I would be surprised though if I don't get unbelievable critical acclaim for 'Dirty Picture' and a national award for my actress, Vidya Balan. The movie has one of the most well-written scripts I have come across, and a lot of youngsters in my office have looked at it with great admiration.

Diwali is chaotic in the Kapoor household, and that's an understatement. I normally throw a huge card party with all my close friends and my close knit group from the industry.

Though personally I'm not a fan of celebrating with fireworks, it is beautiful to watch the sight from a distance.

When I had introduced 'Kandy Floss,' I was a bundle of nerves... I had done a non-fiction programme before - 'Kosmiic Chat' with Sunita Menon. But this one I was really scared of.

I don't know if somehow success has made me conservative. With every passing year and with every success, I get more aware of the responsibility on my shoulders.

Very few know that I was a complete wild child.

There was a time I'd sing and dance at night clubs, but now I don't do that.

I've never had a problem with criticism. Whether films or television, I've lived with it and emerged stronger.

I cannot stop gushing over the reviews that 'The Dirty Picture' has garnered. I'm glad that people are loving it.

I feel whenever my shows are too hyped, they usually don't work.

I don't think hype always works. It can get you initial audience, but eventually, it's your story, and the characters need to hold audience's attention.

You have to show up when your show fails - or it succeeds. When you are enjoying the glory of success, you have to show up and still work hard because it may not last. You have to do your job with the same sincerity when you started and till you can actually do it with passion.

I cannot even begin to express how happy my baby's birth has made me.

How could you possibly call something science fiction at this point unless it has to do with something that hasn't been done? When I write about 'Drones over Brooklyn,' it's not like I'm making something up. Drones are policing American cities.

Darkness does not truly have sway. I think that it's weak.

I've never had a huge collection of records; I've never been a beat digga. I never been one of these guys who drives cross-country and knows some one-legged sailor who has a boat parked off some pier with a thousand Russian funk records that he stole from the Red Army in 1972.

I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.

If there's any credence to the guy who wrote 'Drones Over Blkyn' a year before drones were flying over Brooklyn, then listen to me: we're going to be in fascist police state.

I grew up on listening to, like, Mantronix and BDP and EPMD and Kool G Rap and Ultramag and Public Enemy and Fat Boys and Run DMC and a lot of those early records, those Rubin-era records. Those were always snare- and stab-heavy records.

My videogame mind died after they stopped making wonderful escape worlds - every game just turned into me training to be in the army. But I used to love the Oddworld and 'Abe's Exoddus' and 'Abe's Oddysee' for Playstation.

I don't ever really feel guilty about music, quite frankly. When you're younger, you think that anything you don't like, you have to hate. I'm so far beyond that perspective. Although, I will say I resent Bruno Mars for making me like him as much as I do. I wish that he wasn't so likeable.