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When I was 12, I used to be the best friend of the most beautiful girls, but just the best friend. They would always come to me to cry about a guy who broke their heart, and I would just be sitting there thinking, 'I wish I was the guy and not the best friend.'
There's a big debate in the U.S. about immigration reform. We need to reflect on who's feeding this country today, why this community has been ignored.
My dad was a theater designer, and I spent a lot of time hanging around the dressing room listening to whatever the actors were listening to, which is where I heard Pink Floyd for the first time.
I'm always going to be working on my English, and I'm always going to work on my English so that I can do different characters from different nationalities.
When I was growing up in the theater there were all these amazing girls telling me about the guy who broke their heart. And I was always wishing that it was me.
I don't have this feeling like, 'Oh, I want to live in the United States and make movies and become famous just because the money is here.' I like to make movies that tell stories that I care about.
I've got two young children, so holidays are not the same as they used to be. There are now two types: family holidays and holidays you need from that holiday.
With many things in life, you're there because there's a cute girl around that you want to go out with, and you end up finding magic. You end up not caring about the girl but wanting to stay there because of what you found. That happened with 'Amarcord' to me.
I grew up watching cinema in my country that wasn't telling stories about us, and we had to find a way to connect, and our references, our role models had nothing to do with us. And I'm so glad that it's changing.
I would pretty much like to forget the music that happened to me between the ages of eight and 11, so I'm going to say the first album I bought was the special edition of 'Dark Side of the Moon.'
In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.
I think film can change lives. Doing 'Milk' changed mine, for sure. When I see that someone like Harvey Milk changed his life and the lives of many others in just eight years, I feel powerful. I go out of the cinema saying, 'Maybe there's something I can do, too.'
It makes no sense that this country has 11 million workers feeding, building this country, making America what it is, and they don't share the same rights of those who are consuming the fruit of their labor.
In Mexico, we call it 'terco': the guy who goes out every day, and every day they tell him no, and the next day he's there, and the next day he's there. That's the kind of people who make movies in Mexico.
There's a reality that the market is changing, and the stories of the Latino community need to be out because there's a huge audience in need of films that would represent them.
I started to work when I was really young. For me, friendship is work, and work is friendship. Those who are next to me and that have been there for a long time are those who can work with me, play football with me, and go watch a film with me.
I always wondered why there weren't any films about Cesar Chavez. There are movies about other civil rights leaders in this country, but why not Chavez?