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I got to sing a wonderful song called 'I Ain't Down Yet.' Well, I ain't.
In life, I'm like Molly Brown. I've had tough times along the way and gone through experiences that many women have gone through. But I ain't down yet.
I don't think you can ever be bitter about anything, because if you don't allow your heart to stay open, then all you have is a filled heart of hate and bitterness, and you're never able to love or like anybody.
I think it's one thing to be able to dance, and it's another thing to learn all the wonderful moments of dance because in my day... it was the moving of dance.
I'm 78. We've lost a lot of our great stars. I can't hang out with those who aren't here. The phone service to Heaven is so bad, you know. But I get to visit with their memories.
I had the sets that meant so much to this character built - right in my home, especially the kitchen, which was important both for her character and for your introduction to her when Albert comes to visit.
Everything about the studio was enormous. You walked through the gates of iron, and it was palatial looking. The first day, I was introduced to Clark Gable. He said, 'Hello, kid. Welcome to MGM. I'm just leaving.'
Those were hard times, but I loved living there. I would walk on the tracks, hopping, skipping. I enjoyed the neighborhood, I enjoyed El Paso. I remember being chased by tumbleweeds on windy days; they came up to my neck.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
We slept in the park before we had a house, and eventually we shared a home - my parents, my grandparents and five uncles, my family, all of us - on White Oaks Street by Magnolia Street near the railroad. Those were hard times, but I loved living there.