I grew up in a deeply Catholic home. Our parents always encouraged us to march to our own drums, though, so some of us are still Catholic and some are not. That's always going to be a part of me though; little bits of it trickle into my work. Whether it's an embrace or a rejection, I'm not always sure, but I can't avoid it.
It's something that you pick up at a history class in college, the idea that history and time is something to which we can't even hold a candle to. We, as human beings, are just a small element in the overarching sweep of narrative history. That really had a profound effect on me, that realization.
A great sense of morality was instilled in me through my upbringing in the Catholic faith - particularly because my father is a moral theologian. And morality is something I believe exists separate from faith, as an intrinsic human quality that one should aspire to understand and participate in.
There is a palpable sense of history in the homes that I choose to occupy. I think that's one of the reasons I gravitate towards old homes: I really like that sense of history and that sense that I am one step in a very long process that trails out in both directions around me - before me and ahead of me.
I changed my position when I was 16 or 17. I started in midfield or further forward as a number 10, and then in one tournament, we lost two defenders to injury in the same game, and we didn't have any on the bench. So I played at the back, and the manager of the first team saw me, and he said, 'I want this guy in the first team,' and that was that!