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My goal is always to do something that feels just beyond my reach, and 'Homeland' continues to do that. Every season, they find new ways to scare me. The show is like a diamond that fell from the sky. I'll always feel slightly bludgeoned by it, but in the best way possible.
People talk about 'date night,' and it is true: Sometimes you have to apply yourself, or at least apply lipstick to yourself. You kind of have to dress up, just because. You know, wear heels to your own dinner table.
When I was 18 I went to college for two years and didn't work for a year which was essential for me, because my identity had been so influenced by my being an actor and I think I just needed to discover what it was to be myself, divorced from all that responsibility.
I have a huge, active imagination, and I think I'm really scared of being alone; because if I'm left to my own devices, I'll just turn into a madwoman.
The Brexit and Trump phenomena are informed by similar forces and social and economic movements. I think it's been really stressful; it's been really scary.
I finally realized that yeah I did want to be an actor and it wasn't out of habit, but I needed to grow up for myself and then kind of re-enter the industry with a sound understanding of what my sensibilities and my values are as a relatively formed human being.
Yeah, there was the Flora Plum thing, where I trained for about a month and I had taken a semester off for that, and two weeks prior to filming, the financing collapsed.
Maybe philosophy - I love talking about ideas. Or maybe art history. I was thinking about psychology, then I got really afraid because everybody says it's terribly boring.
I would sign on for projects that were meant to shoot in July, and then they would postponed and they would bleed into the following semester, and then I'd take a semester off, and then the movie would collapse.
I took three years off. I differentiated myself from the industry. Found my identity - sort of... I haven't graduated yet. I'm not legitimately educated yet, but maybe one day.
I think because I am as earnest as I am, people were accepting of my evolving into a certified, legitimate, and grown up and I did take three years off.
I have this home in New York, I have a long-term relationship with my boyfriend, who's from Australia, and I had this business that I had maintain. Even though I wasn't actively shooting, there's a lot of peripheral work.
I get a little jealous of these actor boys. They walk into a club, and in two seconds flat there are swarms of girls who are wanting so badly to touch them or just say hello. That's not the case with me, or any other girl I know.
Growing up in New York with artist parents - a very liberal environment, where we were always encouraged to challenge the status quo - I think for a long time I confused jingoism with patriotism. And that is a mistake.
On a film you can really get away with learning the scene the night before and that's often just not possible with TV, so you have to be a little bit more prepared a little bit more in advance.
I used to have nightmares when I was a little kid that I woke up prematurely and opened all the Christmas presents. And then I would be so relieved when I woke up and I realized that I hadn't done it.
It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's a comedy.
I think people who make movies and have invested a lot of money in them get frightened that if they challenge an audience they are going to repel them. And I think the opposite; it's really true.