Follow your inner heart and the world moves in and helps.

The function of artists is "the mythologization of the world."

The principle of compassion is that which converts disillusionment into a participatory companionship. This is the basic love, the charity, that turns a critic into a living human being who has something to give to - as well as to demand of - the world.

We save the world by being alive ourselves.

It's only when a man tames his own demons that he becomes the king of himself if not of the world.

Myths are public dreams, dreams are private myths.

Myths are public dreams, dreams are private myths. We must be willing to get rid of the life we planned, so as to have the life that is waiting for us. I have bought this wonderful machine — a computer ... it seems to me to be an Old Testament god, with a lot of rules and no mercy.

The myth is the public domain and the dream is the private myth. If your private myth, your dream, happens to coincide with that of the society, you are in good accord with your group. If it isn't, you've got a long adventure in the dark forest ahead of you.

Mythology is composed by poets out of their insights and realizations. Mythologies are not invented; they are found. You can no more tell us what your dream is going to be tonight than we can invent a myth. Myths come from the mystical region of essential experience.

Myth is the public dream, and dream is the private myth.

One cannot predict the next mythology any more than one can predict tonight's dream; for a mythology is not an ideology. It is not something projected from the brain, but something experienced from the heart, from recognition of identities behind or within the appearances of nature, perceiving with love a 'thou' where there would otherwise have been only an 'it.'

In the absence of an effective general mythology, each of us has his private, unrecognized, rudimentary, yet secretly potent pantheon of dreams.

Myths are the world's dreams. They are archetypal dreams and deal with great human problems. Myths and dreams come from the same place. They come from realizations of some kind that then have to find expression in symbolic form.

A dream is your creative vision for your life in the future. A goal is what specifically you intend to make happen. Dreams and goals should be just out of your present reach but not out of sight. Dreams and goals are coming attractions in your life.

Dream is the personalized myth, myth the depersonalized dream; both myth and dream are symbolic in the same general way of the dynamic of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problems and solutions sown are directly valid for all mankind

I am Shiva-this is the great meditation of the yogis in the Himalayas...Hea ven and hell are within us, and all the gods are within us. This is the great realization of the Upanishads of India in the ninth century B.C. All the gods, all the heavens, all the worlds, are within us. They are magnified dreams, and dreams are manifestations in image form of the energies of the body in conflict with each other.

The realms of the gods and demons - heaven, purgatory, hell - are of the substance of dreams. Myth, in this view, is the dream of the world.

Through dreams a door is opened to mythology, since myths are of the nature of dreams, and that, as dreams arise from an inward world unknown to waking consciousness, so do myths: so, indeed, does life.

The dreamer and his dream are the same...the powers personified in a dream are these that move the world.

The hero, whether god or goddess, man or woman, the figure in a myth or the dreamer of a dream discovers and assimilates his opposite (his own unsuspected self) either by swallowing it or by being swallowed.

[M]yths are not invented as stories are. Myths are inspired-they really are. They come from the same realm that dream comes from.

Dream is the personalized myth, myth the depersonalized dream.

It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation. Religions, philosophies, arts, the social forms of primitive and historic man, prime discoveries in science and technology, the very dreams that blister sleep, boil up from the basic, magic ring of myth.

The notion of this universe, its heavens, hells, and everything within it, as a great dream dreamed by a single being in which all the dream characters are dreaming too, has in India enchanted and shaped the entire civilization.

Myths are public dreams; dreams are private myths. By finding your own dream and following it through, it will lead you to the myth-world in which you live. But just as in dream, the subject and object, though they seem to be separate, are really the same.

The unconscious sends all sorts of vapors, odd beings, terrors, and deluding images up into the mind - whether in dream, broad daylight, or insanity: for the human kingdom, beneath the floor of the comparatively neat little dwelling that we call our consciousness, goes down into unsuspected Aladdin caves.

Art is the clothing of a revelation

Myth must be kept alive. The people who can keep it alive are the artists of one kind or another.

Behind all these manifestations is the one radiance, which shines through all things. The function of art is to reveal this radiance through the created object.

Myths are so intimately bound to culture, time, and place that unless the symbols, the metaphors, are kept alive by constant recreation through the arts, the life just slips away from them.

It is the function of art to carry us beyond speech to experience.

Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted.

This death to the logic of emotional commitments of our chance moment in the world of space and time, this recognition of, the shift of our emphasis to, the universal life that throbs and celebrates its victory in the very kiss of our own annihilation, this amor fati, 'love of fate,' love of the fate that is inevitably death, constitutes the experience of the tragic art...

The function of the artist is the mythologization of the culture and the world. In the visual arts there were two men whose work handled mythological themes in a marvelous way: Paul Klee and Pablo Picasso.

The importance of the End of time is as ... a psychological event ... When you have seen the radiance of eternity through all the forms of time ... and it is the function of art to make that visible to you ... then you have really have ended life in the world as it is lived by those who only think only in the historical, concretizing terms. This is the function of mythology.

It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation. Religions, philosophies, arts, the social forms of primitive and historic man, prime discoveries in science and technology, the very dreams that blister sleep, boil up from the basic, magic ring of myth.

Oh my God, does art engender humanity? It awakens your humanity. But humanity has nothing to do with political theory. Political theory is in the interests of one group of humanity, or one ideal for humanity. But humanity-my heavens, that's what proper art renders. We have a paradox. Going into the deepest aspects of inner space connects you with something that is the most vital for the outer realm.

Shakespeare said that art is a mirror held up to nature. And that’s what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you. When your mind is trapped by the image out there so that you never make the reference to yourself, you have misread the image.

I think of mythology as the homeland of the muses, the inspirers of art, the inspirers of poetry. To see life as a poem and yourself participating in a poem is what the myth does for you.

The goal of life is rapture. Art is the way we experience it.

The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.

It [music] has an awakening function. Life is a rhythm. Art is an organization of rhythms. Music is a fundamental art that touches our will system. In Schopenhauer's The World as Will and Idea he speaks of music as the sound that awakens the will. The rhythm of the music awakens certain life rhythms, ways of living and experiencing life. So it's an awakener of life.

Art is the set of wings to carry you out of your own entanglement.

In one of the Upanishads it says, when the glow of a sunset holds you and you say 'Aha,' that is the recognition of the divinity. And when you say 'Aha' to an art object, that is a recognition of divinity. And what divinity is it? It is your divinity, which is the only divinity there is. We are all phenomenal manifestations of a divine will to live, and that will and the consciousness of life is one in all of us, and that is what artwork expresses.

When people get married because they think it's a long-time love affair, they'll be divorced very soon, because all love affairs end in disappointment. But marriage is a recognition of a spiritual identity.

The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature.

The seat of the soul is where the inner world and the outer world meet.

The images of Myth are reflections of Spiritual and Depth potentialities of every one of us. Through contemplating those we evoke those powers in our own lives to operate through ourselves.

When we talk about settling the world's problems, we're barking up the wrong tree. The world is perfect. It's a mess. It has always been a mess. We're not going to change it. Our job is to straighten out our own lives.

The psychological dangers through which earlier generations were guided by the symbols and spiritual exercises of their mythological and religious inheritance, we today (in so far as we are unbelievers, or, if believers, in so far as our inherited beliefs fail to represent the real problems of contemporary life) must face alone, or, at best with only tentative, impromptu, and not often very effective guidance. This is our problem as modern, "enlightened" individuals, for whom all gods and devils have been rationalized out of existence.