If you want to change the world, you have to change the metaphor.

Now I found it in writing sentences. You can write that sentence in a way that you would have written it last year. Or you can write it in the way of the exquisite nuance that is sriting in your mind now. But that takes a lot of ... waiting for the right word to come.

If you're going to have a story, have a big story, or none at all.

God is the experience of looking at a tree and saying, 'Ah!

The fates lead him who will; him who won't they drag.

The idea of the Bodhisattva is the one who out of his realization of transcendence participates in the world. The imitation of Christ is joyful participation in the sorrows of the world.

Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.

It [music] has an awakening function. Life is a rhythm. Art is an organization of rhythms. Music is a fundamental art that touches our will system. In Schopenhauer's The World as Will and Idea he speaks of music as the sound that awakens the will. The rhythm of the music awakens certain life rhythms, ways of living and experiencing life. So it's an awakener of life.

The god you worship is the one you're capable of becoming.

When you realize that eternity is right here now, that it is within your possibility to experience the eternity of your own truth and being, then you grasp the following: That which you are was never born and will never die. . . . (90)

We must be willing to get rid of the life we've planned, so as to have the life that is waiting for us. The old skin has to be shed before the new one can come. -

Life has no meaning. Each of us has meaning and we bring it to life. It is a waste to be asking the question when you are the answer.

If the path before you is clear, you're probably on someone else's.

Myth is much more important and true than history. History is just journalism and you know how reliable that is.

When we quit thinking primarily about ourselves and our own self-preservation, we undergo a truly heroic transformation of consciousness.

What I think is that a good life is one hero journey after another. Over and over again, you are called to the realm of adventure, you are called to new horizons. Each time, there is the same problem: do I dare? And then if you do dare, the dangers are there, and the help also, and the fulfillment or the fiasco. There's always the possibility of fiasco. But there's also the possibility of bliss.

For we have not even to risk the adventure alone, for the heros of all time have gone before us...

There is what I would call the hero journey, the night sea journey, the hero quest, where the individual is going to bring forth in his life something that was never beheld before.

Whether you call someone a hero or a monster is all relative to where the focus of your consciousness may be.

But the makers of legend have seldom rested content to regard the world's great heroes as mere human beings who broke past the horizons that limited their fellows and returned such boons as any man with equal faith and courage might have found.

The hero journey is inside of you; tear off the veils and open the mystery of your self.

You are the Hero of your own Story.

How teach again, however, what has been taught correctly and incorrectly learned a thousand thousand times, throughout the millenniums of mankind's prudent folly? That is the hero's ultimate difficult task.

When you follow your bliss...doors will open where you would not have thought there would be doors, and where there wouldn't be a door for anyone else.

The adventure of the hero is the adventure of being alive

The privilege of a lifetime is beingwho you are.The goal of the hero tripdown to the jewel pointis to find those levels in the psychethat open, open, openand finally open to the mystery of your Selfbeing Buddha consciousnessor the Christ.That's the journey.

Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.

The modern hero-deed must be that of questing to bring to light again the lost Atlantis of the co-ordinated Soul.

The usual hero adventure begins with someone from whom something has been taken, or who feels there is something lacking in the normal experience available or permitted to the members of society. The person then takes off on a series of adventures beyond the ordinary, either to recover what has been lost or to discover some life-giving elixir. It's usually a cycle, a coming and a returning.

Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us, the labyrinth is fully known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; where we had thought to be alone, we shall be with all the world.

The adventure that the hero is ready for is the one he gets.

I prefer the gradual path My feeling is that mythic forms reveal themselves gradually in the course of your life if you know what they are and how to pay attention to their emergence. My own initiation into the mythic depths of the unconscious has been through the mind, through the books that surround me in this library. I have recognized in my quest all the stages of the hero's journey. I had my calls to adventure, my guides, demons, and illuminations.

Every hero must have the courage to be alone, to take the journey for himself.

A hero ventures forth from the world of common day into a region of supernatural wonder. Fabulous forces are there encountered and a decisive victory is won.

It is not society which is to guide and save the creative hero, but precisely the reverse.

Breaking out is following your bliss pattern, quitting the old place, starting your hero journey, following your bliss. You throw off yesterday as the snake sheds its skin.

The ultimate dreamer is Vishnu floating on the cosmic Milky Ocean, couched upon the coils of the abyssal serpent Ananta, the meaning of whose name is Unending. In the foreground stand the five Pandava brothers, heroes of the epic Mahabharata, with Draupadi, their wife: allegorically, she is the mind and they are the five senses.

The hero, therefore, is the man or woman who has been able to battle past his personal and local historical limitations.

The hero, whether god or goddess, man or woman, the figure in a myth or the dreamer of a dream discovers and assimilates his opposite (his own unsuspected self) either by swallowing it or by being swallowed.

The mighty hero of extraordinary powers, able to lift Mount Govardhan on a finger, and to fill himself with the terrible glory of the universe, is each of us: not the physical self visible in the mirror, but the King within.

The call to adventure signifies that destiny has summoned the hero.

The last act in the biography of the hero is that of the death or departure.

The passage of the mythological hero may be over ground, incidentally; fundamentally it is inward--into depths where obscure resistances are overcome, and long lost, forgotten powers are revivified, to be made available for the transfiguration of the world.

A hero is not a champion of things become, but of things becoming; the dragon to be slain by him is precisely the monster of the status quo.

The essence of oneself and the essence of the world: these two are one. [ The aim is not to see, but to realize that one is, that essence; then one is free to wander as that essence in the world.] Hence separateness, withdrawal, is no longer necessary. Wherever the hero may wander, whatever he may do, he is ever in the presence of his own essence-for he has the perfected eye to see.

And so Galahad decided that it would be a disgrace to set off on a quest with the other knights. Alone he would enter the dark forest where there was no path. This is the myth of The Hero's Journey.

The courage to face the trials and to bring a whole new body of possibilities into the field of interpreted experience for other people to experience - that is the hero's deed.

The achievement of the hero is one that he is ready for and it's really a manifestation of his character. It's amusing the way in which the landscape and conditions of the environment match the readiness of the hero. The adventure that he is ready for is the one that he gets.

The hero’s journey always begins with the call. One way or another, a guide must come to say, 'Look, you’re in Sleepy Land. Wake. Come on a trip. There is a whole aspect of your consciousness, your being, that’s not been touched. So you’re at home here? Well, there’s not enough of you there.' And so it starts.

Find a place inside where there's joy, and the joy will burn out the pain.