I accept the fact that some things don't go the way you hope.

Life's all about perceptions.

No one's personal life is in the public interest. It's gossip, bottom line. End of story.

I don't live a lie. You have to understand that people who choose not to discuss their personal lives are not living a lie. That is a presumption that people jump to.

My life will change, because I want it to change; and also because this is something I'm committed to doing and that I believe my life has been leading towards.

You have to always be ready, always be alive, and always be willing to move in a new direction.

I might have lived in England for the last several years, but I'm still an American citizen and I have not given up my right to privacy.

People have different reasons for the way they live their lives. You cannot put everyone's reasons in the same box.

Sometimes the person who is the most logical is the person whom we call insane.

I'm used to people thinking I'm nuts. And you know what? I kind of love it.

It's so easy for us to misperceive and see the things in others that we want to see. And, when we're wrong, and often we're dead wrong, we miss the truth.

Sometimes it's the crazy people who turn out to be not so crazy.

We're all victims of our own hubris at times.

I became a bit of a jerk. A kind of a nasty jerk.

With every job, you should have something to lose, something to gain, something to learn.

Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.

It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.

If you're watching a film on your television, is it no longer a film because you're not watching it in a theatre? If you watch a TV show on your iPad, is it no longer a TV show? The device and the length are irrelevant; the labels are useless, except perhaps to agents and managers and lawyers, who use these labels to conduct business deals.

It's always the big question in our lives if you have a lot of success. What do you do with it? Buy more houses, buy more cars, buy more stuff, be wealthy and distant and unengaged? Or do you take all that good fortune that has come towards you and spread the love, do something with it?

I would love to do much more singing; it's just one of those things where I can't quite describe what it feels like when you're standing in front of a forty piece orchestra, and there's nothing between you and an audience but a microphone. It's like strapping yourself to a locomotive, and I love it.

Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.

Give people what they want, when they want it, in the form they want it in, at a reasonable price, and they'll more likely pay for it rather than steal it. Well, some will still steal it, but I think we can take a bite out of piracy.

I liked it because it was such a dangerous script and showed just what human beings are capable of. Here was a movie in which Morgan Freeman and Brad Pitt, who always win in every movie they ever do, simply don't win. I felt that was outrageous for a commercial movie.

I'm not out there trying to get press for myself nor am I trying to convince anybody that I'm living any kind of a life. I'm actually trying to convince people: I don't want you to know what I'm living, because it's none of your business.

I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?

Over a spell of about three years, I played a series of roles that were, for me, all very different, but most of them came out within a six-month period. They all dealt with a kind of dark territory that in some cases had been mined before in movies.

I don't care about my personal acting career anymore. I'm done with it. After 10 years of making movies and doing better than I ever could have imagined, I sort of had to ask myself: 'What am I supposed to do with all of this success that I have had?'

When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.

The relationship with the cast has everything to do with how a performance develops, and in a sense that while you're discovering a play in the course of rehearsal with the director, you're also discovering it with your fellow actors. We're all in it together.

I've been trying to take this journey over the last four years of getting away from playing manipulative and villainous characters and playing characters that are affected by what happens to them as opposed to unaffected.

My mother always, always, always thought that I was going to be famous. Thought that I was going to win Oscars. In fact, I believe I accepted the Oscar as a ketchup bottle many a time in front of my mother in the kitchen. 'I'd like to thank the Academy,' I said with a ketchup bottle.

I was on a couple of scholarships. I had a job in the school administrative office. I had a job as a hat-check boy in a restaurant. I had another job as an assistant to a casting director. It took a lot to get myself enough money to put myself through Juilliard.

The fact is that HBO is doing the kind of films and the kind of stories that the movie industry used to do. You look at a lot of the specialty sections of studios that have gone under... and there's no doubt in my mind why filmmakers and screenwriters and actors are ending up at a place like HBO. They do it better than anybody.

Storytelling helps us understand each other, translate the issues of our times, and the tools of theater and film can be powerful in helping young people to develop communication/collaboration skills, let alone improving their own confidence.

I'm always taken aback by things that are successful that I think are just crap, and then I'm completely surprised when things I do end up being successful because you walk into things and you never know... It's just really remarkable.

As long as we, in the United States, continue to insist that our politicians have to spend all of their time raising millions of dollars for television ads, it will be corrupt. If we leave it up to the politicians to clean up lobbying and finance reform, nothing is going to change.

I believe this: If an actor wants a role or wants to work with somebody, then you do everything within reason to try to get that role. If they want you to audition, you audition. If they want you to screen-test, you screen-test. If they want you to come and tap-dance in their hallway, you tap-dance in their hallway.

If you go out eight times and play tennis eight times this week, yeah, it's the same rules, but it's a different game every time you're out on that court. You're working on a different part of your game every time you're out on that court; your partner's working on a different part of their game, and the act of being watched changes it.

I was terrible in my first play. After that experience, I had to face that I wasn't good enough to play with the big boys. I had to go away and learn, so I worked in regional theater for three years. I even understudied at the Kennedy Center.

I never wanted to go to the Old Vic and not have it survive long after I was gone. It's not about me; it's about that theater. And the more that it's able to grow and do everything it should do without me, then I've done my job.

When you're just able to distill it down to the idea and the feeling that a character is experiencing in a scene, it can become very, very razor sharp and really clean and really efficient and simple. And sometimes it takes twenty-five years to learn how to be simple.

I believe if you go to a movie theatre, and you see something you think is incredible, if you walk out of the theatre and there was a bin in the lobby of DVDs of the film you just watched, you would buy four of them - one for you and three for your friends.

I have long been a supporter of The Prince's Trust, and so when American Express asked me to launch 'Amex Be Inspired' and help young people build their confidence and fulfil their potential, I was delighted to get involved.

I think that what is truly unfortunate is when an entire party makes a decision that they're going to block every single thing that a president wants to accomplish. It's very - it's very hard to get anything done in those circumstances.