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My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
We all have too many wheels, screws and valves to judge each other on first impressions or one or two pointers. I don't understand you, you don't understand me and we don't understand ourselves.
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
My holy of holies is the human body, health, intelligence, talent, inspiration, love, and absolute freedom--freedom from violence and falsehood, no matter how the last two manifest themselves.
A naive man is nothing better than a fool. But you women contrive to be naive in such a way that in you it seems sweet, and gentle, and proper, and not as silly as it really is.
In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations!" (Letter to Alexander Chekhov, May 10, 1886)
Write about this man who, drop by drop, squeezes the slave's blood out of himself until he wakes one day to find the blood of a real human being--not a slave's--coursing through his veins.
TRIGORIN Why do I hear a note of sadness that wrings my heart in this cry of a pure soul? If at any time you should have need of my life, come and take it.
One hundred years from now, the people who come after us, for whom our lives are showing the way--will they think of us kindly? Will they remember us with a kind word? I wish to God I could think so.
I still lack a political, religious, and philosophical world view. I change it every month, so I'll have to limit myself to the description of how my heroes love, marry, give birth, die, and how they speak.
It is not only the prisoners who grow coarse and hardened from corporeal punishment, but those as well who perpetrate the act or are present to witness it.