You should have something to say, an idea you want to get out, and if you don't, just get out of the way, 'cause there's so many great musicians and writers that are in the queue.
I can't speak much Italian. I do go down well over there, but it's frustrating because I can't really speak it. Even if I do talk, they can't understand my accent, but I should try to learn it.
One of my ambitions is to move to Tuscany. I like the idea of getting a vineyard. I love being under the sun and being casual and comfortable. That's my idea of heaven.
When you open your mind up, and you go into a creative state, you can't just switch if off. When you have an idea, a creative impulse, and then you ignore it, it can keep you up when you just want to go to your bed - which is why it's great to have voice recorders on your phone!
I write on the acoustic guitar, I write some on the piano, but I've been messing around with these guitar pedals and drum machines, educating myself in that world.
People make you feel like a bad guy for asking for seven quid for your album, like you are slapping them in the face, when they'll go and pay two grand for a scarf somebody knitted in a sweat shop and stitched a designer label on.
When it comes to the business side of it, as much as you might hate it, the reality is that you give the record company a sort of ownership of your songs, so you've got to make sure you're getting everything you can out of it now, because if you're not, then who is?
You don't want to go and make something, then go out and do shows, if you're not really into it. You don't want to go out there and make people feel like you're grudging playing them a song. That's a disturbing thought.
I think it was definitely a love for the four- or five-part vocal male harmony groups that really took me away. I'd always try and be, like, the fifth Drifter; I'd always try and find another harmony that wasn't there.
That's the good thing about music: you can sing about people's lives in its stages and feelings. Some songs can put something in context that you couldn't. They can free your mind or can make you think or can be redeeming.
I only became interested in clothes when I was in my mid-teens. I'd do things like spike my hair and put on a nice shirt, but I'd hardly call myself fashion-conscious. I just don't have the energy.
With the first album, there was a lot of angst. I was very naive. I thought I was on top of the whole thing, but I really didn't know what I was getting into.
The people I admire are Tim Buckley and John Martyn - singers that grew into themselves and were honest. John Martyn is one of the great soul singers because soul is not a genre; it's a feeling.
I thought about going onto the first one, Pop Idol. My mum was saying, 'Go on!' But I decided not to. 'The X Factor,' though, doesn't really seem to be a show about musical talent anymore.