I remember thinking that the rest of my life would be solo. I wasn't weepy when I thought that - it was just a realization that I had gone this long being self-sufficient.

I enjoy being a hyphenate. I've always thought of my career as a plate spinner in the circus.

A cardio-funk class - I should have at least taken one of those. But it's always terrified me. I'm never one to be a dancer on the dance floor, even at a bar or a club.

There is just a lot of creativity and theatricality in performers who happen to be gay. Maybe there's a success in numbers, so by the law of averages we are going to get these jobs.

I'm not the best cruise ship crooner. I'm not the best karaoke guy.

The TV schedule is fantastic. It allows you to have a life. Theater actors are so disciplined - especially if you're doing musicals, you have to be in shape physically, mentally, and have to be on your game all the time. That's exhausting. On TV, especially a sitcom, you have a lot of free time to play.

I've done plenty of daredeviling - from white-water rafting to bungee jumping. But I think the most fearless was hosting the Emmy Awards. It was overwhelming, and I definitely had to leave fear at the door.

I don't know, but I think kids just want to be listened to, so I want to make sure I do that.

We're blessed on 'How I Met Your Mother' to feel like we're doing a bit of a funny playlet everyday.

The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.

I think it has been a weird mistake to have people with their own music careers going on and judging people because when they're too critical, it affects them. They don't want to be that honest, because they need to keep their appearance up.

I love the 'So You Think You Can Dance' show. I love it. I think it's some of the best hours on TV.

I think when dance is mediocre, it's painful. But when dance is really impressive, it destroys.

My favorite time to dance is at, like, wedding receptions, when it's all ages and everyone seems to be having fun.

I think things through a lot, so I probably use my head more than my heart. That probably comes through in my acting.

Whenever I wasn't in school with a tutor three hours a day, I'd get a knock and be rushed to set and they'd be waiting and I'd film my thing and then I'd go back to school again.

I need to stop carving out four-hour chunks to do random things and go home and watch my children grow up.

I didn't want to go marching down the street with camera crews. Oy. To get married? Really? It seems like you have an agenda when you do it that way. I wouldn't want to get married to be an example.

Being able to live my life transparently does empower me to feel like I can be myself more. It's easier for me to flirt with girls now that girls know that I'm gay. It almost makes it a sexier encounter than if I was trying to pretend that I was straight.

What I enjoy so much about the Tonys' uniqueness is that anyone who's tuning in has an interest in seeing the show, so our job is halfway done.

We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.

Thankfully, the meat of the Tony telecast is the performances from the shows, so the awards show kind of creates itself around the season, and then I fill in based on the vibe of the season in general. I'm happy that there'll be so many legitimately good performances on the show.

I was a big fan of how Johnny Carson hosted awards shows. Dick Cavett, as well, I think did a really great job of providing a nice blend of comedy, wit and class.

With the Tonys it's a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

I thought the idea of 'Smurfs' lent itself to the 3-D environment pretty well, I think, better than some of the farm animal movies that have been done before. I was a fan of the 'Smurfs' and they come with their own fan base, which I thought was nice.

I'm not trying to climb a ladder - I'm casting a bit of a net.

There are so many examples of talented actors working today, no matter how they live their private lives. I'm lucky that people believe me when I'm in character.

I always thought I'd make a good parent, but I was single and led a solitary life for many, many years. Then I met David, and he had experience with kids and wanted to have a family, too.

I don't stay up and rent private jets and go on yachts and whoop it up in Miami.

Mmmmmmmm. Anderson. He's dreamy. Just dreamy. I've been a fan of his since season 1 of 'The Mole.' I just thought he was so cool when he talked in this cool, low, secret-agent voice.

'Smurfs' just seemed like a great way to represent a young father to be, guy in a marriage, work in conflict, and I was really interested in the technical CG side of things. I'd never done a movie that I thought would be so physical and yet so precise. So I was intrigued by all of that.

Before babies, I worked very hard to make sure I understood my surroundings and figured out where I fit in the world, whether it was at work or in a social situation.

I've been very fortunate to go from interesting chapter to interesting chapter.

I pride myself in being able to straddle demographics, and if that was said as Barney Stinson, it would mean a little different thing.

If you don't have any ties to the music industry, you just love 'American Idol,' you can sit there and do exactly what you do in your living room, which is stare at them and judge them.

I'm lucky that people believe me when I'm in character.