We used to be called the Dixie Chickens. Then we played at a barbecue place, and they had a sign saying, 'Featured Tonight: The Dixie Chickens,' and everybody started ordering it for dinner! So we shortened it.
We don't mind if people think we've come from nowhere. Because once they've become fans, they'll delve deeper in and will be surprised to find we've been around awhile and that we've had a lot of experience doing this.
I grew up going to bluegrass festivals, and there were performers who got on stage and didn't say much. They would stand there, stone-faced, picking. I could appreciate that, but it taught me that a little showmanship and some personality adds so much to a performance.
I want our fans to get their money's worth. If they are going to spend $40 to come to a show, it has to be good, from beginning to end. I like razzle-dazzle; we all do.
We didn't like the idea of Dixie Chick action figures. I mean that's just the kiss of death for a group. How could a hip teenager enjoy the Dixie Chicks while their little sister is playing with a Martie doll in the other room?
Ever since I was a little girl music was my escape and it was something that I did and was a huge part of me; aside from what my grades were in school. It was something that was truly mine.
I think you first have to feel 100% comfortable with the person that you are with. I have written in sessions where I am just meeting the person for the first time and it is extremely difficult.
We don't feel part of the country scene any longer, it can't be our home any more... So we now consider ourselves part of the big Rock 'n' Roll family.
Lilith Fair was a great experience for us the first time we played it. We were... not a new band, but a new band as far as mainstream kind of airplay or success.
I'd love my kids to get into music, but I want them to understand the commitment involved. I don't want them to look on 'American Idol' as the way to become famous.
When, no matter what you do, everybody's going to punch holes in it, then you just go and you do what you want. And that's the most freeing place to be.
I'd rather have a smaller following of really cool people who get it, who will grow with us as we grow and are fans for life, than people that have us in their five-disc changer with Reba McEntire and Toby Keith.
As an artist, your only way to battle your label if you have a discrepancy is to go to court. I don't understand why you can't both agree if you have an accounting problem to have a third party to assess the situation.
I don't think any of us ever trusted Nashville. When you're in that town you know everybody is talking about everybody else. Everybody is wishing for the other guy to fail.
If you're making $10 an hour and you're doing your job and you're doing it well and your check is consistently $8.75 an hour, who wouldn't stand up for themselves?
We were playing shows still when we wrote 'Phoebe' and 'Rock All Night.' We got to test those songs in a live setting, so it was nice recording them and knowing which ones really resonated with the crowd.