I go through phases where I buy only Speed Stick and Axe, and Noxzema shaving cream.

I love attention. Maybe my desire for attention is a little too out of control, but I'm very honest.

I always say that I'm not the director, I'm part of the team.

I've never been a business person, nor have I ever pretended to understand the first thing about it.

Yes, I always remember my dad's, mom's and my grandma's perfumes.

I think it's an old fashioned notion that fashion needs to be exclusive to be fashionable.

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

I have the word 'Shameless' tattooed on my chest.

Basically, I'm in a kilt and a white shirt every day. So, you know, I don't have a lot of scope, and I'm really picky about what I wear. Even if it's weird, it's very particular to me. And you can't make a business out of what I would wear. We'd be out of business.

I do think that in order for a company to be interesting to the investment community, there needs to be a plan; there needs to be a bigger retail footprint. There needs to be this idea - DNA, lifestyle, words I hate.

I remember walking the dog one day, I saw a car full of teenage girls, and one of them rolled down the window and yelled, 'Marc Jacobs!' in a French accent.

Sephora is a mecca for cosmetics, and it supports what I enjoy: You go into the store, and touch it, and try it, and love it. I've never bought anything on the Internet. I like experience.

I don't see myself as being as big of an influence as other people seem to think.

I said, 'Okay, it's the year 2000, I'm getting a computer and a Palm Pilot.' I know how to check my e-mail, and I've listed some phone numbers on it. Half the time the battery has gone out so I can't use it.

I love how the reality of fashion is all about something for that moment and then the extremity of dismissal.

I'd like to believe that the women who wear my clothes are not dressing for other people, that they're wearing what they like and what suits them. It's not a status thing.

I've been openly gay since I can remember.

I have often been criticised for doing an about-face from one season to the next - as has my wonderfully inspiring lady designer whom I love so much, Miuccia Prada - but that is what I love about fashion.

My grandmother was amazing. She completely believed in me and was very encouraging. She would go to the supermarket or the butcher or wherever and tell people, 'My grandson is going to be the next Calvin Klein.'

It was getting very boring to watch celebrities all wearing the same dress.

I never cared about buying things for myself, like clothes. And then all of a sudden I realized how great it is to be very precise about the shirts that I wear and all the things that are a part of my closet. So the ritual of fashion and shopping became very personal to me.

My relationship with fashion has always been that each of us stars in our own movies and costumes ourselves to play the part we want. You take blouses and jeans and dresses, and you put them together, and they tell your story.

I want to see women in pantsuits or two pieces, even something a little bit gaudy. It's so much more exciting than just another nice dress.

I empathize with women in their high heels so I'll be there in my kilt and T-shirt and I'll walk around all day just to prove that if I can wear the shoes for 36 hours then certainly our customer can wear them.

I have a lot of tattoos. My first tattoo I had when I was a teenager was just a little heart. I am very friendly with a great artist, Scott Campbell, and I started going to him to get tattoos. I'm very spontaneous about what I get.

Awkwardness gives me great comfort. I've never been cool, but I've felt cool. I've been in the cool place, but I wasn't really cool - I was trying to pass for hip or cool. It's the awkwardness that's nice.

I don't know, but I always loved that image of a girl putting toenail polish on a guy - her boyfriend, or something like that. Or a guy waking up in the morning and reaching over and putting on his girlfriend's shirt. Like Keith Richards putting on one of Anita Pallenberg's blouses, or Courtney Love putting nail polish on Kurt Cobain.

Working with Stephen Sprouse was always one of my very favorite things. I was always a fan of his.

Sometimes there are two very opposite directions, and we go with the stronger one at the end. It's an impulse thing, like, 'Oh, I love both so much, but it's got to be one or the other because the two don't work together.'

I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.

If they asked me, I would do anything for the 'South Park' guys.

Sofia is so active, and she made The Virgin Suicides, which I thought was great - all these things are inspiring to me, not in terms of creating a particular dress, but just in terms of knowing that there is this type of woman out there.

In terms of having a business, I wanted to let it go beyond what my personal taste is. Basically, I'm in a kilt and a white shirt every day. So, you know, I don't have a lot of scope, and I'm really picky about what I wear.

I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.

I wouldn't know how to find eBay on the computer if my life depended on it.

I'm not a yogi, but I know the sun salutation.

It's quite nice to see that I didn't have to change who I was to reach two very different types of people.

I love a blouse that's dumb. I love to use the word 'dumb.' It's not knowing, and the word 'blouse' is so out of fashion that I love it - 'a blouse that's dumb.'

You can go to Graff and buy a diamond that's flawless. You aren't going to be able to buy the same diamond at Fortunoff, but it's still a diamond you can enjoy. If fashion can allow you to have the Chanel mystique through a lipstick, then why shouldn't art allow you to have that through a sweatshirt that says 'Cremaster' on it?

I'm not really well educated - other than an art survey course at the High School of Art and Design in New York when I was, like, 15. I don't know the history of art, but I got over intimidation from the art world when I realized that I was allowed to feel whatever I want and like whatever I want.

We're developing things, but I don't know what we'll go with for the show, so I don't like to talk about it.

I don't think, 'Gee, I'd like to dress this person.' There was a picture in Us magazine. It was a jersey dress, and Courtney Love was wearing it. I have this thing about Courtney Love, this funny worship.

It just seemed too weird to me. I don't know, maybe they were smoking a joint in the car downstairs from their parents' apartment. I had to go that far to put together a scenario of how they could have possibly recognized me.

Sometimes I miss hamburgers, I should say that. I miss the tuna pizzas at Mercer Kitchen.

That was a time when I did love music, I couldn't get enough of what was going on. Maybe it was Nirvana that brought me back. I guess it was a comfort because something that sounded so right - and non-commercial - had become so influential, so immediately.

It's sometimes said that I'm rebellious and I do things to push people's buttons, but I just like the challenge.

I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.

I think there is something about luxury - it's not something people need, but it's what they want. It really pulls at their heart.

I think journalists have the right to their opinions but I think their opinions should be based on history and what they see, not what they feel, how long they've been waiting or whether it's raining or it's snowing or whatever.

But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.