The reality is you either step into the future, or you become a dinosaur.

We go out there and kill it every night, and you can see what this means to people.

Ever since 'Hail to the King,' we've been more cognizant of our chord progressions, our key changes, drama in songs, a lot of dynamics - we've really added a lot of that in there.

I recall us selling out L.A.'s 5,000-capacity Gibson Amphitheatre and flying straight to Germany to play a 300-capacity room where we'd only sold 120 tickets. This was when 'City Of Evil' was really taking off in the U.S., but it seemed like Europe was less interested.

I went to this vocal coach, Ron Anderson, who has worked with Axl Rose and Chris Cornell, to train my voice and learn a whole new way of singing.

I've said the Grammys messed up metal because it's not on TV. What I'm saying is when you're in a metal category, it's not televised, and it doesn't move the needle forward for metal artists, and I wish they had more respect for the genre.

No. 1 records are fine, but in 2016, they just don't mean as much any more - the currency has changed.

We are ever evolving and never repeat ourselves.

Our band has always been really big on imagery. We've kind of used that as one of our strengths; we tend to do that pretty well.

I listen to a lot of Pink Floyd, the Doors, Elton John, Sabbath, Metallica, GN'R, Megadeth - just classic rock, classic metal stuff.

We're really excited to be even talked about in the same breath as Foo Fighters or Metallica.

We're trying to change the whole way our merch is viewed, in terms of just not a bunch of skulls interlaced; you know, every album can look the same, so they're going to be stylized and different.

We have this yearning to know the answers to the big questions about space and why we're here; we can't evolve fast enough to figure these answers out on our own, but we can do it through artificial intelligence. But there's also some very scary downsides that could come if we don't put the right safety precautions in there.

When we were growing up, we listened to all sorts of music, but the first band that really grabbed all of us live was AFI.

The song 'Paradigm' talks about nanobots - and how they can potentially be used to cure diseases and help you live forever. But how much of a human being would you be at that point? If you're 70 percent machine and 30 percent human, are you going to lose yourself?

I know that sometimes we, as Americans, we reach outside of our means, and every once in a while we like to 'police the world,' but I think we do a lot of good as well.

Those who are not very good at understanding mental health issues are not going to know what other people are going through in depression. You have to kind of put yourself in somebody else's shoes.

The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.

I'm kind of a geek when it comes to talking about chord structures or melody, so I always loved in-depth conversations with musicians about things. I also enjoy when a fan can just put something on, and they really know nothing about music other than they like it and it touches them in some way.

Everyone has an opinion, and everyone should be entitled to say whatever they want.

I got an email saying we were nominated for a Grammy, and I instantly thought it was a joke. So I started Googling the nominees, and there we were!

We grew up with every type of band from Primus to Mr. Bungle to Elton John to pop music to metal, and we try to throw it all in a blender. And whatever comes out of that is more Avenged Sevenfold than metal or metalcore.

I want to stay away from trends and do what we want to do musically.

Games helped me a lot when The Rev died. It was something I able to go do and stay in the house and not have to be outside and deal with people. But I also found a community online that I was able to escape the feeling I was having of losing a best friend.

We do a lot of things that kind of annoy people and our fan base. We try not to get overloaded on it. For us, that means we don't do social media stuff - we have an Avenged Sevenfold social media, but none of the band members have Facebooks or any sort of Twitter.

I think everyone in the band has had someone that's served in their family. I wouldn't say that anybody has a military family, but both of my grandfathers were in the military.

I was a fan of 'Call Of Duty: Modern Warfare 2,' and I got into 'Call Of Duty: Black Ops,' which was my favorite 'Call Of Duty' game of all time.

When you look at metal, it's probably one of the healthiest genres when you look at it in a worldwide perspective - every single country listens to metal.

Music and space collide for me, as I find them incredibly stimulating.

It's important to know the ins and outs of the music business, but you can also dive too deeply into it and forget that you're really here to make music.

Every once in a while, we can touch somebody's life in a way just by writing a melody or writing some music, which is always really special.

When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.

When you think of rock and roll and metal, a lot of it is based around the riff. If you can sing over the riff and what the arrangements are going to be like, you have to leave space for what most people consider one of the most key essential parts, which is the vocalist.

I think Kanye West is brilliant at what he does: he's got a different live show, different merch for every tour, different vibes, and he just puts out great records.

I go online, and I love watching heavy metal bands and guitar players play heavy metal versions of the 'Zelda' theme, and people do all the 'Zelda' music, which is one of my favorite soundtracks.

Usually, when you're putting out a record, you have reviews from people a week before, and you have a vibe 'cause everyone's heard it - you've heard feedback from everyone, and they've listened to your single for a couple of months. Radio's playing it.

Honestly, I never thought we'd get a nomination for a Grammy, period. To be honest, we felt that if we were ever going to get one, we thought we had 'City of Evil' and 'Nightmare' and 'Hail to the King,' and those were all big records, and they never even sniffed at us.

To me, a lot people really get wrapped up in the technical side of metal and what's metal and what's not and more double-kick and more blast beats and more technicality, but for me, I'm a song person. So I think you can write good songs in any type of style of rock and any type of style of metal, and that's kind of what I'm a fan of.

We love the idea of putting out music in a non-conventional way.

A lot of times, people just want to be more extreme than the next band or the next person, and that's all they focus on. That's kind of lost on me.

If I was to play any song for anybody asking, 'What is metal about?' I'd just play 'Master of Puppets.' The progressions and the bridge are brilliant.

If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.

I think the cool thing about being alive in 2017 is that you can literally put out music as soon and as frequently as you want to because of streaming services.

'This Means War' is up there with 'Hail to the King' in terms of crowd reaction and kids chanting for it.

What made 'Dark Side Of The Moon' so great is some of the mystique and where it was coming from and just the authenticity of it.

If we can inspire a kid to pick up a guitar - and less and less kids are doing so these days - it'd be really cool because I know how it felt growing up and how special that was for me.

Sometimes, I feel like my lyrics meander a little bit, and our songs are so big I need to write more words than are necessary.

Always from day one, we were the band on Warped Tour with a fog machine, and our backdrop had to be up - everyone thought we were the biggest idiots for that, total posers. But for us, we wanted to be over the top.

It really does help everyone when there are some big bands leading the charge.

The more kids that we can meet or kids that are terminally ill, we try to do it because it's really important, and you can see the hope in their eyes and in their families and their parents.