I first fell in love with music when I was five years old because of 'Annie.' And then 'The Little Mermaid' really made me want to start singing. And then the fierce, amazing women of the '90s - Alanis Morrissette, Courtney Love, Tori Amos, Ani Difranco, Paula Cole, Patty Griffin - made me want to start writing.
I really do pride myself on being able to help other people tell their stories and bring out the best in them. But I still, every song I'm writing, I still need to relate to it. I still need to find my true self in it, or else it'll feel dishonest. I mean, everything has a queer meaning as far as I'm concerned.
A lot of writers don't know what it feels like to get on stage. They don't understand the weight that songs can carry. I got a chance to play all these shows. I got a chance to define myself through music, so when it comes to helping other people figure out what they should say, I've been through it.
In every school, there's always the kid who gets it the worst, and I was, for sure, that kid. Every time you had to get in a line that was boys and girls, it was like my worst nightmare. A lot of kids I know got made fun of for being gay; that was not my issue: I was just called a girl endlessly.
I love to give the song away - it's so exciting - where, I think, a lot of younger songwriters, they struggle with that. And it's a big struggle, where they want the shine and they want people to know that it was their idea and it was their doing. But luckily, I've been through that, so I can just focus on helping other people do their thing.