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Most Americans haven't had my happy experience of living for thirteen years in a seventeenth-century house, since most of America lacks seventeenth-century houses.
Perhaps I have written fiction because everything unambiguously expressed seems somehow crass to me; and when the subject is myself, I want to jeer and weep.
Some stories or passages are more difficult and demand more fussing with than others, but, in general, I'm a two-draft writer rather than a six-draft writer, or whatever.
I love Shillington not as one loves Capri or New York, because they are special, but as one loves one's own body and consciousness, because they are synonymous with being.