Whether you're a woman, a transwoman, a person of color, I feel like Instagram is really important for the creation and framing of the self.

I'm not so fascinated by these ingenue roles. I tend to gravitate towards women in plays or shows or films that are more chaotic or have something dire going on.

There's something very noble about the bowling shoe. It has very little pretense, and it's kind of naughty. You have to share them with a bunch of other people, which is so kinky in a way that I like. What other shoes would you actively share with other people?

A pink sneaker is like walking down the street at five miles per hour with a Starbucks in your hand. Nobody is getting in your way.

My first boyfriend was a fashion designer. He was a junior in high school, I was a freshman.

I travel a lot, so I don't have a morning routine because where I wake up tends to be inconsistent. But I'm always really, really hungry when I wake up, so breakfast is important.

Fragrance is important to me because of its emotional dimension. I feel like fragrances are able to transport, stir emotion, and bring up memories. You can wear makeup, you can dress yourself up, but fragrance gives a powerful aspect to how you can present yourself that you can't necessarily get any other way.

If you don't know somebody, whether you're inquiring into their sex or their gender, it's invasive.

Whatever surgery someone wants to get is none of your business.

My experience with 'Transparent' has completely spoiled me because it was the safest, most transpositive set ever. I didn't have to worry about all the usual things - like when people have a vision of your transness that you're not comfortable with. When they don't know the correct gender pronouns by which to refer to you.

My identity will always inform my experience and shape my perception. But I am an unremarkable person.

For me, Instagram had become a place where I could image myself the way I found myself.

If my body can fall into the background for just a second, maybe people will start listening to what I have to say.

In an ideal world, I wouldn't have to change my body. I wouldn't have to do all this stuff. I wouldn't have to be pretty or 'feminine,' and people would respect that.

I prefer men who are queer. Not gay men, but queer men - guys with an open mind. Bisexual men, because they're able to understand the different elements of the body without judging that I don't conform to a certain ideal.

I feel like my transition, in a broader sense, began the second I left home and came to New York. Because all of a sudden, I opened myself up to options about how to be.

I'm teaching myself how to screenplay write.

I'm really into the way sound works in film, and I did a little bit of sound design for theater in college.

Trans folks are going to rise up for their moments and their money!

There are no trans roles, and if there are, they go to Jared Leto or Eddie Redmayne or Elle Fanning... Will there ever come a point where I could play a woman in a realistic, naturalistic drama and have there not be the word 'trans' in the script?

I get a facial maybe a couple of times a year.

I think the skin is the most important part of a strong makeup look, and if you take care of that, the rest will follow.

I think it's an oversimplification of somebody's worth to 'cancel' them. We're so quick to cancel but also so quick to lift somebody up as 'the queen,' 'the mom,' 'the dad,' 'the god.'

There have been moments where I've had to question the way I've used social media and change it. Not because anything was wrong or right but because my needs had changed, and my perspective had changed.

I'm a much better actor as a girl than I was as a guy.

I'm very conscious and weary of the hype economy and the way people build things up just to tear them down.

Expectations are kind of lethal for art, I think.

When you're making an independent film, there is no guarantee that anyone is going to see it, ever.

What's infuriating is when cis people think celebrating me is celebrating transness.

Dysphoria will always be a painful place.

When we say 'trans is beautiful' or 'being trans is the best,' that is a truth we created for ourselves that's clearly not true in every signal we get from the world around us.

I think that it should be every woman's choice, depending on how she feels comfortable. I can't think of any objective reason why you should wear makeup unless it makes you feel good.

I think that you need to balance a critique of feminine, patriarchal beauty ideals while simultaneously understanding how they can make you safe, and they can make you feel safe, and they can open up certain doors for you that would have been closed.

People feel emboldened to say things on the Internet they wouldn't in person.

Ariel is the most boring Disney princess.

If I get too glam and polished and pretty, people are like, 'Hari, why aren't you speaking up about issues?' And if I start speaking up about issues, people are like, 'Why can't you just be an actress?'

I love 'Heathers.' I love 'Spring Breakers.'

I've certainly been in situations where I've been rejected and endangered and had my humanity put in question - just as almost every woman on the planet has.

I couldn't remember when I'd stopped willing to be trans and started wanting to be trans. If there were a difference, I'd forgotten it.

I search my name on Tumblr more than I Google myself, and I Google myself every day.

I'm a different girl almost every time I look in the mirror.

When it comes to modeling, I always feel like my body is a myth or a story that is told by other people, and no one knows what my body really looks like.

Sometimes it feels like people can't wrap their head around the notion that an 'androgynous' trans woman with shorter hair could be beautiful.

Fashion has always captivated me because, like I said, it has the potential to create narratives about what's beautiful, aspirational, chic, masculine, feminine, glamorous, etc. Generally, this power is dispatched in useless ways.

Trans-dating is hardcore, and it's really scary. And that's coming from me, someone who couldn't be dating in a more open-minded Manhattan pool of artsy boys and creative folk. Not saying it all sucks. I'm just saying it's not easy.

I majored in drama and theater arts at Columbia and was always in acting studio, but that was a liberal arts degree, not a bachelor of arts degree, so I didn't have a traditional conservatory training. There was a lot of reading and a lot of writing involved, and only about 30 percent of my classes were directly theater-related.

If you're anything other than a white, cisgender, able-bodied dude, people are going to project narratives, imagery, and context onto you that you might not necessarily see for yourself.

I identify with anyone who logged online in elementary school and never logged off.

I identify with Sad Girls.

I can say with confidence that my trans/transfeminine identity emerges as the most heavily problematized aspect of my lived experience. My transness is not a problem on its own but problematized by a society that reviles it, hates it, fails to understand it - or does not wish to.