Harry Truman's decision to fire Douglas MacArthur at the height of the Korean War in April 1951 shocked the American political system and astonished the world. Much of the world didn't realize the president had the power to fire a five-star general; much of America didn't realize Truman had the nerve.
When you tell a story, there are imperatives of structure, of style, of pacing and all of this, that are there simply because you want to make it a good story. When do you introduce your characters? When do you put them onstage, when do you take them off the stage? How do you weave the different threads of the narrative together?
Reagan gave essentially the same speech from the beginning to the end of his political career, which was always, 'The American people are great, the government always screws things up, let's get the government out of the way.' On the foreign policy side it was, 'Communism is bad, and we're going to defeat it.'
I've been writing American history for a long time, and I've had a hard time finding strong, interesting female characters. There are women, of course, in American history, but they're hard to write about because they don't leave much of a historical trace, and they're not usually involved in high-profile public events.