I played on a lot of Sinatra sessions. He was simply awesome. He liked to laugh, and he could be one of the boys when he wanted. But he was also a very serious performer.
All my records - 'By the Time I Get to Phoenix,' 'Wichita Lineman,' 'Galveston,' 'Rhinestone Cowboy,' 'Dreams of the Everyday Housewife' - they all had strings on them.
I used to be just a total jazz freak. People used to say, 'Where's the melody? Is there a melody in there anywhere?' Now I let the music follow the song.
They could never put me in a slot. They couldn't say Glen was 'country,' 'pop' or 'rock.' I'm crock, OK? A cross between country and rock. Call me crock.
With the TV shows, you get eight zillion people watching you. I was really surprised at the way everything went. I knew television was powerful, but that was just... wow.
Roger Miller opened a lot of people's eyes to the possibilities of country music, and it's making more impact now because it's earthy material: stories and things that happen to everyday people. I call it 'people music.'
Perhaps I've found the secret for an unhappy private life. Every three years, I go and marry a girl who doesn't love me, and then she proceeds to take all my money.
I can think of only two or three songs out of hundreds I've recorded that I performed as originally written. I like to become intimate with the material and change it to suit me.