Learning that someone is gay, queer, trans, doesn't tell you much by itself. They could be any kind of person aside from that particular slice of identity.
I really don't care about what anyone says unless they are also gender-nonconforming. Then I really listen. I love the solidarity felt between us gender failures.
My main theme as a songwriter seems to be a feeling of homelessness, of being in motion. The feeling of being somehow unmoored, a radical internal freedom that is very painful and also joyful.
My Jewishness and queerness are very interwoven, and, although they sometimes conflict culturally, intellectually and spiritually they deepen one another for me.
If you get into really learning about the roots of monotheism, it was utterly a radical cultural moment. The Bible was so revolutionary and against all that came before it.
I think there's a large worry in queer communities about imitating straight people, when queerness has its own identity and maybe can be a radical force that should be dismantling stuff that locks people into structures.
I want to be a force that tries to revive the human spirit rather than crush it, to open possibilities rather than close them down. Sometimes a passionate negativity is the best way to do that.
To have knowledge of Judaism and to be a religious Jew or an interested Jew, is to have a doorway into a worldview that is entirely alien to the rest of the world's worldview.
I've been writing songs since I was a teenager, so one kind of song I've written a lot is about, I don't know, teen angst feelings - feeling unsure of yourself and immature.
You know, a lot of people have an instinct to downplay the fact that they are performing and be, like, 'There is no theatre here. This is just me playing the songs.' At some point I just realised how much better it could be if you weren't shy about being a performer.
I don't think I'll ever be able to fully explain the way that the Velvet Underground's records opened a door in my head. But it has something to do with Lou Reed as a mythic figure: a person who fitted no category, who defied limits and trends and definitions.
I was a suburban kid who fancied myself somehow intellectual. I was into punk rock but I couldn't get into the subcultural signifiers of dyed hair, safety pins and torn denim. Being a punk seemed like a new set of rules that I wasn't interested in having to follow.
Listening to songs is like eating and writing songs is like vomiting. You're putting a ton of stuff in, it combines in unpredictable ways, and comes back out in a big mess.
If you're trying to deal with being a marginalized person and trying to confront a larger population that isn't the same as you, you can be friendly about it, and invite everybody in, or you can be angry about it and be hostile and attack the systems that you want to destabilize.
Being in a rock n' roll group, or being a musician, it is in conflict in some serious cultural ways with being an observant Jew, but in a conceptual way, for me, they go together real well.
Judaism is a way of thinking, more than anything else, that I think is entirely distinct, and the more you know of it, the more you can enter into that kind of thinking.
I'm in this effort to unify my life and to live day to day in a disciplined way, to be real at all times, not just in front of people, or not just in a synagogue.