Back when I was single and Guns were on the 'Illusions' tour, chicks were, like, left and right. They were falling over themselves. And I saw the sadness in that. The first six months of that, it's like, 'Killer! Chicks are hot. They're into me.' And then you realize they're not really into you. They're into the guy they saw on the JumboTron.
Not to name names, but a lot of pop female artists you see, they don't write their own songs. Lot of top male artists and boy band artists, they don't write their own songs. They're just a product. They sell, they sell, they sell. They don't care about musical integrity, any of that kind of stuff.
People in Seattle - and I'm speaking from experience - are indoors more. It used to just rain a ton, and as a result, you'd be inside listening to music all the time and playing. You'd all rehearse at each other's houses and share ideas. There was no competition. When I got to L.A., I was really stunned by the competition.
It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.