A magic trick of any sort works because you tell yourself a story about what you see. And politicians use this all the time in their own way by throwing a load of statistics at you when things don't quite follow and then saying, 'So therefore blah,' and you believe that 'blah' thing because of the confusion that's come before.
Taking up magic was a distraction from my sexuality. There is that 1970s cliche of the gay man as hairdresser, interior decorator, fashionista... and all of those things are about arranging surfaces in a very dazzling way - and magic is all about how you arrange surfaces. I got very good at deflecting people from things I didn't want them to see.
Being gay facilitated my capacity for shame. As a child, I carried around this thing that gradually became this big dark secret. When I came out in a newspaper interview at 30 I was expecting the reaction the following day to be like the climax of 'Dead Poets Society,' but actually no one really cared.