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A huge part of acting in movies is appetite. You do your best work when you've got a lot of appetite and you really want to embrace something. When you get tired, you don't have that hunger.
After writing a page, Hemingway would let it float to the ground. He never crumpled pages - he believed that if you crumpled them, you'd be insane in a year.
I'm sort of one of those weird actors who whenever I do a play, I think, 'Oh, we should film this,' as opposed to have to belt it out of ourselves in a theater auditorium.
The idea of goodies and baddies has always fascinated me, and what people consider to be a goodie or a baddie, because I've never seen any of my characters as baddies.
I don't do facials or any of that stuff, but my workout regime does tend to depend on whether I have to take my top off in my next film because otherwise I know I'm too heavy.
As a teenager I was crazy about David Bowie. He was a huge inspiration for me. I dressed a little bit crazily in school and dyed my hair every colour under the sun.
I guess I'm not that metrosexual. My bathroom cabinet is hardly overflowing with products. I only really have my stuff for shaving. I can't honestly say I moisturise, though I probably should.
I have a problem with a lot of men's fragrances because they are very strong. Somebody somewhere thinks that masculine means powerful smells, and I find them overbearing and not very pleasant.
I don't like it when people are trying too hard. That goes for clothes, for acting, for everything. It's just not good when it seems like you're making too much of an effort.
If you are making a script based on a book it can be frustrating going back to the source novel, because you're turning the story into a totally different thing; the narrative of film is different from that of a book.