We don't always know what makes us happy. We know, instead, what we think SHOULD. We are baffled and confused when our attempts at happiness fail...We are mute when it comes to naming accurately our own preferences, delights, gifts, talents. The voice of our original self is often muffled, overwhelmed, even strangled, by the voices of other people's expectations. The tongue of the original self is the language of the heart.
I am compassionate. I allow my heart and imagination to embrace the difficulties and concerns of others. While maintaining my own balance, I find it within myself to extend sympathy, attention, and support. When they are grieved, I listen with openness and gentle strength. I offer loyalty, friendship, and human understanding. Without undermining or enabling, I aid and assist others to find their strength. I allow the healing power of the Universe to flow through me, soothing the hearts and feelings of those I encounter.
I surrender my anxiety and my sense of urgency. I allow God to guide me in the pacing of my life. I open my heart to God's timing. I release my deadlines, agendas, and stridency to the gentle yet often swift pacing of God. As I open my heart to God's unfoldings, my heart attains peace. As I relax into God's timing, my heart contains comfort. As I allow God to set the tone and schedule of my days, I find myself in the right time and place, open and available to God's opportunities.
Artists love other artists. Shadow artists are gravitating to their rightful tribe but cannot yet claim their birthright. Very often audacity, not talent, makes one person an artist and another a shadow artist-hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch.
Art is an act of the soul, not the intellect. When we are dealing with people's dreams - their visions, really - we are in the realm of the sacred. We are involved with forces and energies larger than our own. We are engaged in a sacred transaction of which we know only a little: the shadow, not the shape.
In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well stocked fish pond... If we don't give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked... As artists, we must learn to be self nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them - to re-stock the trout pond, so to speak.
We imagine that if we had time we would quiet our more shallow selves and listen to a deeper flow of inspiration. Again, this is a myth that lets us off the hook - if I wait for enough time to listen, I don't have to listen now, I don't have to take responsibility for being available to what is trying to bubble up today.
The face of love is variable. I am able to love without demanding that my relationships assume the structures and forms I might choose for them. My love is fluid, flexible, committed, creative. My love allows people and events to unfold as they need. My love is not controlling. It does not dictate or demand. My love allows those I love the freedom to assume the forms most true to them. I release all those I love from my preconceptions of their path. I allow them the dignity of self-definition while I offer them a constant love that is every variable in shape.
As we lose our vagueness about ourself, our values, our life situation, we become available to the moment. It is there, in the particular, that we contact the creative self. Art lies in the moment of encounter: we meet our truth and we meet ourselves; we meet ourselves and we meet our self-expression .
Life is a creative endeavor. It is active, not passive. We are the yeast that leavens our lives into rich, fully baked loaves. When we experience our lives as flat and lackluster, it is our consciousness that is at fault. We hold the inner key that turns our lives from thankless to fruitful. That key is "Blessing.