Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
We have the sort of beautiful older woman here in Paris. People like Loulou de la Falaise and Betty Catroux, all these beautiful looking women over 60... So there is culture here in France that even if you are older, you can stay beautiful.
When you're editor-in-chief of a big magazine, you cannot be a cover girl for MAC; you cannot be the face of Givenchy - of course you can't; it's doesn't go with the job.
When you go to a show, Americans in New York are very proper, much more so than the French. Everything is perfect. Their hair, the nails, everything. The look. Everything is perfection.
I discovered the slip dress, which I think is one of the more French things because when you take off your clothes, even when to go into a shop to buy something, or you're going to Riccardo Tisci to try on a suit, it's like having protection.
I think that each woman, whatever age, needs to recognize something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful decolletage or a beautiful waist or beautiful hands. Everyone has something great.
I don't like intellectuals, or, at least, people who call themselves that way, because I am under the impression that there is always something condescending in their demeanour, and I don't like condescending people.
I think that Americans, they love comfort more than Europeans. Americans created the T-shirt, the sweat pants, and they create the best sporting shoes.
I hate mules. I hate the noise when someone walks with mules. Clomp, clomp, clomp. I think it's very not chic. I don't even like a flip-flop. I don't like this noise.
The reason I call my book 'Irreverent' is because there were a lot of pictures that were very irreverent. Maybe I could call my book 'Forgiving' because maybe I made a lot of errors, too.
If I'm doing something in fashion, I will try to respect the 'laws' of the business, but I will try to keep my integrity and my respect for the designers and for my readers.
Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
We have the sort of beautiful older woman here in Paris. People like Loulou de la Falaise and Betty Catroux, all these beautiful looking women over 60... So there is culture here in France that even if you are older, you can stay beautiful.
When you're editor-in-chief of a big magazine, you cannot be a cover girl for MAC; you cannot be the face of Givenchy - of course you can't; it's doesn't go with the job.