A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
A lot of what I've been learning in the last two years is due to therapy - about my sexuality, why things go wrong, why relationships haven't worked. It isn't anything to do with anybody else; it's to do with me.
I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
I think people could be a bit friendlier. The only real contact you have with people is when they're annoyed if you've had a party - you know, it's been a bit too noisy for them or something.
I try to exist in a world where there is freedom of opinion, where you're allowed to make jokes. I don't want to live in some PC world where no-one's allowed to say anything.
My mother and father were fantastic, very active. I find it difficult to say this, but I'm quite a loving person and I've always been loving to my friends. In the long run, that pays off. I'm very interested in other people, and if you are, they're interested in you.
The ultimate goal is to be more satisfied. I really don't believe you get wiser because you get older. It's a choice, perhaps not to take some things so seriously.
When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
I'm of the opinion that as a DJ you must always play what you love and ignore what's 'trendy' because true passion always eclipses what's fashionable. Quality is always fashionable.
I've never been a bad person and always had quite good morals. There's always been a side of me that's been quite proper, but it's got distracted here and there. Now I'm the person I should be.
I used to think of George Michael as being mechanical, like a scientist in a white coat, working in a laboratory, creating perfect harmonies, and all the while I was secretly admiring him.
I didn't think anyone was going to buy 'Do You Really Wanna Hurt Me?' It was really personal, not a hit record, I thought. I wanted us to sound completely different. Shows how much I knew.
To be here in America so soon after the Supreme Court ruling on gay marriage and at the birth of the Caitlyn phenomena feels so timely. It feels perfect for my universe to collide with Caitlyn's, but on a purely personal level, I just think she is utterly fabulous and brave.