I dream. Sometimes I think that’s the only right thing to do. To dream, to live in the world of dreams. But it doesn’t last forever. Wakefulness always comes to take me back.

I have these realistic dreams and snap wide awake in the middle of the night. And for a while I can't work out what's real and what isn't... That kind of feeling. Do you have any idea what I'm saying?

You're afraid of imagination and even more afraid of dreams. Afraid of the resposibility that begins in dreams. But you have to sleep and dreams are a part of sleep. When you're awake you can suppress imagination but you can't supress dreams.

There are symbolic dreams-- dreams that symbolize some reality. Then there are symbolic realities -- realities that symbolize a dream. Symbols are what you might call the honorary town councillors of the worm universe. In the worm universe, there is nothing unusual about a dairy cow seeking a pair of pliers. A cow is bound to get her pliers sometime. It has nothing to do with me.

I often dream about the Dolphin Hotel.

Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to sleep through it. But even if you go to the ends of the earth, you won't be able to escape it. Still, you have to go there- to the edge of the world. There's something you can't do unless you get there.

The good thing about writing book is that you can dream while you are awake...

Dreaming is the day job of novelists, but sharing our dreams is a still more important task for us. We cannot be novelists without this sense of sharing something.

If I stayed here, something inside me would be lost forever—something I couldn't afford to lose. It was like a vague dream, a burning, unfulfilled desire. The kind of dream people have only when they're seventeen.

In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality.

I want to write stories that are different from the ones I've written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love. But right now I have to stay here and keep watch over this woman and this girl. I will never let anyone-not anyone-try to put them into that crazy box- not even if the sky should fall or the earth crack open with a roar.

So many dreams, so many disappointments, so many promises. And in the end, they all just vanish.

They put up with such strenuous training, and where did their thoughts, their hopes and dreams, disappear to? When people pass away, do their thoughts just vanish?

Symbolism and meaning are two separate things. I think she found the right words by bypassing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly’s wings as it flutters around. Artists are those who can evade the verbose.

I think people who share my dreams can enjoy reading my novels. And that's a wonderful thing. I said that myths are like a reservoir of stories, and if I can act as a similar kind of "reservoir," albeit a modest one, that would make me very happy.

People with dark souls have nothing but dark dreams. People with really dark souls do nothing but dream.

The good thing about writing books is that you can dream while you are awake. If it’s a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it’s a real dream, you can’t do that.

It's just like Yeats said. In dreams begin responsibilities. Flip this around and you could say that where there's no power to imagine, no responsibility can arise.

Dreams come from the past, not from the future. Dreams shouldn't control you--you should control them.

In dreams begins responsiblities.

The answer is dreams. Dreaming on and on. Entering the world of dreams and never coming out. Living in dreams for the rest of time.

I dream. Sometimes I think that's the only right thing to do.

I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love.

When it's all over, it'll seem like a dream.

Unclose your mind. You are not a prisoner. You are a bird in fight, searching the skies for dreams.

Sometimes when I look at you, I feel I'm gazing at a distant star. It's dazzling, but the light is from tens of thousands of years ago. Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.

My father belongs to the generation that fought the war in the 1940s. When I was a kid my father told me stories - not so many, but it meant a lot to me. I wanted to know what happened then, to my father's generation. It's a kind of inheritance, the memory of it.

I think history is collective memories. In writing, I'm using my own memory, and I'm using my collective memory.

A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.

Memory is like fiction; or else it's fiction that's like memory.

Memory is so crazy! It's like we've got these drawers crammed with tons of useless stuff. Meanwhile, all the really important things we just keep forgetting, one after the other.

I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book.

I would never see her again, except in memory. She was here, and now she's gone. There is no middle ground. Probably is a word that you may find south of the border. But never, ever west of the sun.

The faintest gleam of their lost memories glimmered for the briefest moment in their hearts.

What if I’ve forgotten the most important thing? What if somewhere inside me there is a dark limbo where all the truly important memories are heaped and slowly turning into mud?...the thought fills me with an almost unbearable sorrow.

Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.

You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper.

The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.

Precipitate as weather, she appeared from somewhere, then evaporated, leaving only memory.

People's memories are maybe the fuel they burn to stay alive.

Memories and thoughts age, just as people do. But certain thoughts can never age, and certain memories can never fade.

People leave strange little memories of themselves behind when they die.

That's what the world is , after all: an endless battle of contrasting memories.

Here, too, a brand-new day is beginning. It could be a day like all the others, or it could be a day remarkable enough in many ways to remain in the memory. In either case, for now, for most people, it is a blank sheet of paper.

Most everything you think you know about me is nothing more than memories.

You can hide memories, but you can’t erase the history that produced them

Anyone who falls in love is searching for the missing pieces of themselves. So anyone who's in love gets sad when they think of their lover. It's like stepping back inside a room you have fond memories of, one you haven't seen in a long time.

Now and then may not be enough…You have to enjoy it while you’re still young. enjoy it to the fullest. You can use the memories of what you did to warm your body after you get old and can’t do it anymore.

We fell silent again. The thing we had shared was nothing more than a fragment of time that had died longe ago.Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claim me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness

Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.