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For me, what usually makes a horror sequence scary is the journey not the destination.
For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.
My agent Sue realised after 'Cold Feet' that I could have spent the rest of my life doing similar roles. So she was instrumental in moving me away from that.
When you see a tumour in the brain, it's an ugly looking thing. It's kind of black, grisly and messy. Or it can be white. To see it taken away is just amazing.
If you are a Northern Irish actor, maybe subconsciously more than consciously, you do have an instinctive responsibility at some point to tackle the recent history of where we have come from. It's not only a responsibility, but a privilege.
When I did the film 'Hear My Voice' a few years ago, I disappeared fully up my own backside for a while. Because I thought my career was taking off, I became a bit of an egomaniac and a pain in the neck. I thought I was God's gift to mankind and the greatest Irishman since George Best.