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You always had a few brothers that was speaking on Islam, like my brother's uncle. It wasn't big in my neighborhood, but with certain brothers, it was big. I respected it because Islam is my home. I found my home when Islam came to me. I've been living with it ever since.
Sometimes I say stuff that people may see things more than what I'm seeing. I just say what God sends me, even if I don't know what I'm talking about or I can't break down the revelation of it. I just take what I receive and put it out there to the people.
I love so many directors. I love David O. Russell. I love David Fincher, I love Alexander Payne and Jane Campion and my aunt. Spike Jonze. There are just so many amazing directors.
When I was younger, I had pink underneath my hair, and I got detention. I went to an all-girls school where you wore a uniform, and pink hair was not OK.
I didn't go to film school. My Grampa always says just watch a lot of movies. He didn't go to film school; he went to theatre school. It's interesting to learn about the technical side of it, but I think it's more important to learn about writing and working with actors.
After college, I drove across the country twice with friends. It was one of the most fascinating experiences of my life. I find it really inspiring seeing the country that way.
As a teenager, I wanted to be sophisticated and avant-garde, and I was really judgmental. But when you're a teenager, you're fearless because you don't know the repercussions to anything.
I studied photography at Bard, but I just felt tired of it. Someone asked me to be in a video but didn't want to be in it, so they told me to make my own, and that seemed more fun to me.
I don't like shopping, so I'll look online. I like going to the flea market at the Rose Bowl every once in a while. I like the same stores, Opening Ceremony and APC.
I enjoy fashion photography and textiles, that whole aspect of it. As more of an art form, I like Proenza Schouler. Those guys are really cool because they seem to have an interesting approach to it all.
I think what's so great about making your first feature film is that you're so naive in some ways; you don't know what to expect, and you don't question things as much because you're just trying to figure it out as you go.
I really learned a lot when I worked on my grandpa's film 'Twixt' and got to be with him start to finish and sit next to him every day. That was my film school.