At the age of 12, I got free pieces of software in a box of cereal which allowed me to make music, like really early demos, and then I just never looked back.

Obviously the music I listened to growing up helped create my musical pallet. My parents were into pop, soul, disco, RNB, Latin, jazz and Middle Eastern music.

I've got a lot of girl mates. Especially when you come to Ibiza and you're an Ibiza DJ, everyone comes out and they want to see you.

I love the idea of Pro Tools, but it doesn't seem as attractive to me in terms of the music-making side. It's great for recording, but with Logic you get the best of both worlds, the ability to do great tracking and producing something that sounds great as well.

I think some people have this thing where just because you do singles that means you're not a real artist. It's like hold on a minute - I'm selling millions of records here and been streamed billions of times... How can I not be taken as a real artist just because these songs are singles?

A mixer for me needs to have some sort of effects, as it's a big part of how I might hype up the crowd in certain parts of a track, using the delays and filters for instance.

I think the best thing about performing as producer is to hear the fans sing along with your tunes.

Sometimes what makes a great song is that bittersweet combination - a really heartfelt song, whether good or bad, mixed with something that gets you going.

Even when I'm travelling - which is when I do most of my writing - I have a little portable keyboard.

The concept of 'Blue' is to transport its listeners to a different world with music. And I chose to release a full-length album because it enables me to experiment with many different production styles, not just a single sound, and take listeners on a journey.

There's a lot of amazing women out there. There's a lot of hot models. But models are the worst, because they're models, you have to always step up and always look good.

Well after 'Fast Car' was so huge, everyone was asking me, 'What's the next song?' At the time I just had ideas I was working on, but it was very clear I needed to finish another song ASAP, and that's how 'Perfect Strangers' came about.

I've always worked from a young age and was never big on drinking or smoking, so whatever money I had I put into synths.

It's the worst feeling, going into your record label when you haven't got a hit. It was like: 'Maybe you've lost it.' And, once you're done, that's it. There's no support, or anyone to help you.

It's great to see Latino music coming to the mainstream, but at the same time, there are also a lot more styles to explore: African music, Indian music, Chinese music.

I've gone through a lot of 'nos' from record labels but I've built a great team along the way and that's the best thing you can have - people around you who believe in you and drive you forward.

I'm a songwriter and producer, so I'm always wanting to make my own stuff, and not use anybody else's.

I come from the streaming world, so the changing trend of consuming music that way is positive for me.

It's definitely hard to have relationships. When your life moves so quickly, people generally want replies on messenger apps and sometimes I don't get back to people for two or three weeks.

When I was seven years old I played the flute, then by 11 I quit being a musician and got into Djing.

Anyone can be a DJ but it's understanding how to read a crowd and keeping them on the floor is what takes years of experience.

The Cross did not happen to Jesus: He came on purpose for it. He is β€œthe Lamb slain from the foundation of the world.

Jesus Christ became Incarnate for one purpose, to make a way back to God that man might stand before Him as He was created to do, the friend and lover of God Himself.